Classical Chinese
Tags
Summary
Editor's review
Who it's for
A good fit for
- Candidates taking the Ancient Chinese self-study examination who need systematic review according to the syllabus
- Lower-division students in Chinese and History departments using it as a course textbook
- Self-learners who want to systematically build foundations in ancient Chinese characters, vocabulary, and grammar
- Secondary-school Chinese teachers seeking to strengthen the linguistic foundations of their classical Chinese teaching
Not a good fit for
- Researchers who already have a solid foundation in classical Chinese and seek cutting-edge academic discussion
- Readers who want only light, entertaining material and are unwilling to do exercises or memorization
- Readers who expect mainly literary appreciation and are not interested in a language-knowledge system
Reading tips
- Proceed unit by unit; for each lesson, read the selected text through first, then go back and annotate against the grammar and vocabulary explanations.
- Keep a notebook of errors and new words, grouping scattered knowledge points such as xungu, textual-scholarship basics, and interchangeable characters.
- After finishing a unit, close the book and restate that unit's knowledge framework to test mastery before moving on.
- Use past exam questions or end-of-lesson exercises to expose weak points, then return to the relevant textbook chapters for further reading.
About the publisher
Peking University Press is a comprehensive university press whose publishing areas cover classical literature, popular science, social culture, world history, Western philosophy, and culture. Its catalogue contains 6,031 titles, with representative books including A Dream of Red Mansions, Relativity: The Special and General Theory (15th Edition) (with Einstein's classic papers on unified field theory and other topics), Elements, Conics, The Aristocratic Families of the Eastern Jin, The Philosophy of Mythology (Volume I), The Philosophy of Mythology (Volume II), and The Origin of Continents and Oceans. Representative authors include Cao Xueqin, Zhou Ruchang, Albert Einstein, Euclid, Apollonius, Tian Yuqing, Schelling, and Xian Gang. The press has developed distinctive strengths in classical Chinese literature and in the translation of Western philosophical classics, while also covering scientific classics and social and cultural studies. As public information is limited, this description is based only on the books in the catalogue and offers no further extrapolation.
Contents
- 版权信息
- 组编前言
- 致读者
- 緒論
- 一、什麽是古代漢語
- 二、古代漢語課程的性質任務和基本內容
- 三、學習古代漢語的目的和意義
- 四、古代漢語的學習方法
- 思考与练习
- 第一單元
- 第一課 漢字的結構與演變
- 一、漢字的性質
- 二、漢字的結構
- 三、漢字形體的演變
- 文選
- 思考与练习
- 第二課 漢字的結構與詞義的探索
- 一、漢字形義統一的條件
- 二、漢字的結構與詞義的探求
- 三、從漢字的結構探求詞義的重要參考書——《説文解字》
- 文選
- 思考与练习
- 第三課 古書的用字
- 一、通假字
- 二、異體字
- 三、分化字
- 文選
- 思考与练习
- 第二單元
- 第四課 古代漢語詞的構成
- 一、單音詞
- 二、複合詞
- 三、聯綿詞
- 文選
- 思考与练习
- 第五課 古今詞義的差異與溝通
- 一、古今詞義的差異
- 二、古今詞義的溝通
- 文選
- 思考与练习
- 第六課 多義詞和詞義引申
- 一、古代漢語中詞的多義性
- 二、詞義運動的基本方式——引申
- 文選
- 思考与练习
- 第七課 詞義關係
- 一、同義詞
- 二、反義詞
- 文選
- 思考与练习
- 第三單元
- 第八課 古代漢語詞類的劃分
- 一、劃分詞類的標準
- 二、實詞的分類
- 三、實詞的活用與兼類
- 四、虚詞的分類
- 文選
- 思考与练习
- 第九課 動詞、形容詞、名詞
- 一、動詞
- 二、形容詞
- 三、名詞
- 文選
- 思考与练习
- 第十課 數詞及數量表示法
- 一、數詞
- 二、數量表示法
- 文選
- 思考与练习
- 第十一課 副詞
- 一、程度副詞
- 二、範圍副詞
- 三、時間副詞
- 四、情態副詞
- 五、否定副詞
- 六、謙敬副詞
- 文選
- 思考与练习
- 第十二課 代詞
- 一、人稱代詞
- 二、指示代詞
- 三、疑問代詞
- 四、特殊代詞
- 五、無定代詞
- 文選
- 思考与练习
- 第四單元
- 第十三課 介詞
- 一、介詞的定義及特點
- 二、古代漢語常用介詞介紹
- 文選
- 思考与练习
- 第十四課 連詞
- 一、連詞的定義及特點
- 二、古代漢語常用連詞介紹
- 文選
- 思考与练习
- 第十五課 語氣詞
- 一、句尾語氣詞
- 二、句首句中語氣詞
- 文選
- 思考与练习
- 第五單元
- 第十六課 判斷句
- 一、古代漢語判斷句的構成和基本格式
- 二、古代漢語判斷句的繫詞問題
- 三、古代漢語判斷句的表達功能
- 文選
- 思考与练习
- 第十七課 被動句和被動表示法
- 一、無形式標誌的被動句
- 二、有形式標誌的被動句式
- 文選
- 思考与练习
- 第十八課 語序和省略
- 一、古代漢語的語序
- 二、古代漢語句法成分的省略
- 文選
- 思考与练习
- 第六單元
- 第十九課 古代文獻的閲讀
- 一、中國古代文獻的分類
- 二、古書的標點
- 三、古代的注釋
- 四、古文閲讀工具書
- 文選
- 思考与练习
- 第二十課 古書的特殊表達方式
- 一、婉曲
- 二、互文
- 三、變文
- 四、連類而及
- 五、用典
- 文選
- 思考与练习
- 第二十一課 古代文化常識
- 一、古代的祭祀文化
- 二、古代的軍事文化
- 三、古代的生活習俗
- 四、古代的名號稱謂
- 五、古代的天文知識
- 六、古代的曆法知識
- 七、古代的地理知識
- 八、古代的職官科舉制度
- 文選
- 思考与练习
- 后记
- 古代汉语自学考试大纲
- 古代汉语自学考试大纲前言
- I 课程性质与设置目的
- II 课程内容与考核目标
- 壹 基础知识及其应用
- 贰 古文阅读
- III 指定教材与参考书
- IV 本大纲使用说明
- 附录一 背诵段落
- 附录二 本课程考试参考样卷
- 后记
FAQ
Can I read this textbook directly without any foundation in classical Chinese?
Is this book only suitable for self-study examination candidates?
Does the book devote a large proportion to culture and folklore?
How should I plan my reading pace?
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About the author
The National Steering Committee for Higher Education Self-Taught Examinations is a specialized body responsible for work related to higher education self-taught examinations, and the works published under its name are generally compiled to meet the study and examination-preparation needs of self-taught learners. Two of its works are included here: Ancient Chinese and Aesthetics (2019 Edition), which fall under categories such as history readings and social culture. These textbooks balance the completeness of the knowledge system with the actual pace of self-study, and their language is clear and well organized, making it easier for readers to understand and grasp key points independently without classroom instruction. Because public information is limited, the committee's specific composition and operating details are not described here; nevertheless, the existing works show that its compiling efforts focus on providing systematic and reliable basic reading materials for self-taught learners, giving it practical value in the field of adult education and self-study.
Wang Ning: publicly available information is limited, and the shape of his work emerges mainly from the thirty-five titles held in the collection. Judging by his representative works, his writing spans several fields. He has produced works on Chinese language and philology such as Principles of Exegesis (Expanded Edition), Twelve Lectures on the Structure of Chinese Characters, and Ancient Chinese. He has also worked on classical texts including the Zuo Commentary and the Huainanzi, on the poetry of Wen Tingyun, and on the travel record of Xu Xiake, as well as on communication research methods. This range suggests a scholar engaged with both traditional philology and classical documents, writing with scholarly rigor while keeping specialized knowledge clear and readable. The collection also classifies his works under Eastern philosophy, examination preparation, essays, and film and television, indicating that he writes for classrooms, research, and general readers alike. Because his dates, nationality, and educational background are unknown, this note offers no speculation and limits itself to an objective sketch of his subjects and orientations.