A Sea of Tales, Ancient and Modern cover

A Sea of Tales, Ancient and Modern

Rating 4.2
Word count
363K words
Chapters
142

Tags

Summary

(Your servant) et al. respectfully note: The Gujin Shuohai in one hundred thirty-nine juan was compiled by Lu Ji of the Ming. Ji, courtesy name Siyu, was a native of Shanghai and the son of Shen, who was posthumously granted the title Vice Minister of the Ministry of Rites. This compilation records fiction from earlier ages down to the Ming, divided into four sections and seven schools. The first is Shuoxuan, containing the two schools of minor records and partial accounts; the second is Shuoyuan, containing the school of separate traditions; the third is Shuolüe, containing the school of miscellaneous notes; the fourth is Shuozuan, containing the three schools of lost matters, scattered records, and miscellaneous compilations. It collects one hundred thirty-two titles in all. Each title forms its own fascicle, though there is some abridgment and division, and ancient books are split up and assigned to categories. This practice began with the Huanglan of Miao Xi and Huang Xiang of Wei; those surviving today, from the Xiuwendian Yulan onward, all follow its example. The practice of gathering various schools, extracting and preserving the essentials, while still not disturbing their original order, began with the Zichao of Yu Zhongrong of Liang; those surviving today, from Ma Zong's Yilin of Tang onward, all follow its example. Ji's book was made in the jiachen year of the Jiajing reign. Although the various books it contains are not as numerous as those in Zeng Zao's Leishuo, which includes many works unseen by people today, nor as rich and comprehensive in gathering as Tao Zongyi's Shuofu, which covers both great and small, yet for each book it cuts away superfluous text while still preserving the beginning and end, so that compared with those two works it is more detailed and complete. Compared with one another, each has its strengths, and their efforts in collection cannot be denied.

Editor's review

The Gujin Shuohai is a large series of fictional and miscellaneous works compiled by Lu Ji of the Ming dynasty, in one hundred thirty-nine juan. It collects one hundred thirty-two kinds of fiction, notebooks, and miscellaneous records from earlier ages down to the Ming, arranged in four sections and seven schools: Shuoxuan, Shuoyuan, Shuolüe, and Shuozuan. In its editorial method it inherits the tradition of encyclopedic works such as the Huanglan and the Xiuwendian Yulan, while also drawing on the method of the Zichao and the Yilin in extracting essentials; for each book it cuts away superfluous text while preserving the beginning and end, achieving a good balance between preserving the integrity of the documents and providing systematic classification. Compared with Zeng Zao's Leishuo and Tao Zongyi's Shuofu, although its collection is somewhat less broad, it preserves each book's beginning and end and abridges with restraint, making it in fact more detailed and readable. For studying the transmission of fiction and notebooks from before the Ming and for understanding how the ancients approached compiling such works, this book has irreplaceable reference value. Readers who want systematic access to notebook fiction from the Tang and Song onward but are troubled by the difficulty of finding the original books scattered and lost will find in this book a relatively reliable path through selected texts.

Who it's for

A good fit for

  • Scholars and graduate students studying ancient Chinese fiction and notebook literature
  • Humanities enthusiasts with a strong interest in notebooks and miscellaneous records from the Tang and Song through the Ming
  • Philological readers who need to understand the compilation methods of ancient fiction series
  • Ordinary readers who want systematic access to rare fiction but are daunted by the bulk of the originals

Not a good fit for

  • Readers who expect complete original texts and do not accept abridgment or adaptation
  • Beginners lacking a foundation in classical Chinese who need vernacular annotations
  • Readers who only want one type of fiction and are not interested in miscellaneous notes

Reading tips

  1. First read the table of contents and the explanation of the four sections and seven schools to understand the structure before choosing a category.
  2. Read according to interest by section—for example, Shuoxuan first, then Shuoyuan—without necessarily reading straight through.
  3. At abridgments, compare with the original book or other series to appreciate the compiler's criteria for selection.
  4. Jot down the titles included and their survival status as clues for textual research.

Contents

  1. 版权信息
  2. 古今说海 上
  3. 提要
  4. 古今说海卷一
  5. 古今说海卷二
  6. 古今说海卷三
  7. 古今说海卷五
  8. 古今说海卷六
  9. 古今说海卷七
  10. 古今说海卷八
  11. 古今说海卷九
  12. 古今说海卷十
  13. 古今说海卷十一
  14. 古今说海卷十二
  15. 古今说海卷十三
  16. 古今说海卷十四
  17. 古今说海卷十五
  18. 古今说海卷十六
  19. 古今说海卷十七
  20. 古今说海巻十八
  21. 古今说海卷十九
  22. 古今说海卷二十
  23. 古今说海卷二十一
  24. 古今说海卷二十二
  25. 古今说海卷二十三
  26. 古今说海卷二十四
  27. 古今说海卷二十五
  28. 古今说海卷二十六
  29. 古今说海卷二十七
  30. 古今说海卷二十八
  31. 古今说海卷二十九
  32. 古今说海卷三十
  33. 古今说海卷三十一
  34. 古今说海卷三十二
  35. 古今说海卷三十三
  36. 古今说海卷三十四
  37. 古今说海卷三十五
  38. 古今说海卷三十六
  39. 古今说海卷三十七
  40. 古今说海卷三十八
  41. 古今说海卷三十九
  42. 古今说海卷四十
  43. 古今说海卷四十一
  44. 古今说海卷四十二
  45. 古今说海卷四十三
  46. 古今说海卷四十四
  47. 古今说海卷四十五
  48. 古今说海卷四十六
  49. 古今说海卷四十七
  50. 古今说海卷四十八
  51. 古今说海卷四十九
  52. 古今说海卷五十
  53. 古今说海卷五十一
  54. 古今说海卷五十二
  55. 古今说海卷五十三
  56. 古今说海卷五十四
  57. 古今说海卷五十五
  58. 古今说海卷五十六
  59. 古今说海卷五十七
  60. 古今说海卷五十八
  61. 古今说海卷五十九
  62. 古今说海卷六十
  63. 古今说海卷六十一
  64. 古今说海卷六十二
  65. 古今说海卷六十三
  66. 古今说海卷六十四
  67. 古今说海卷六十五
  68. 古今说海卷六十六
  69. 古今说海卷六十七
  70. 古今说海卷六十八
  71. 古今说海卷六十九
  72. 古今说海卷七十
  73. 古今说海卷七十一
  74. 古今说海卷七十二
  75. 古今说海卷七十三
  76. 古今说海卷七十四
  77. 古今说海卷七十五
  78. 古今说海卷七十六
  79. 古今说海卷七十七
  80. 古今说海卷七十八
  81. 古今说海卷七十九
  82. 古今说海卷八十
  83. 古今说海卷八十一
  84. 古今说海卷八十二
  85. 古今说海卷八十三
  86. 古今说海卷八十四
  87. 古今说海卷八十五
  88. 古今说海卷八十六
  89. 古今说海卷八十七
  90. 古今说海卷八十八
  91. 古今说海卷八十九
  92. 古今说海卷九十
  93. 古今说海卷九十一
  94. 古今说海卷九十二
  95. 古今说海卷九十三
  96. 古今说海卷九十四
  97. 古今说海卷九十五
  98. 古今说海卷九十六
  99. 古今说海卷九十七
  100. 古今说海卷九十八
  101. 古今说海卷九十九
  102. 古今说海卷一百
  103. 古今说海 下
  104. 古今说海卷一百一
  105. 古今说海卷一百二
  106. 古今说海卷一百三
  107. 古今说海卷一百四
  108. 古今说海卷一百五
  109. 古今说海卷一百六
  110. 古今说海卷一百七
  111. 古今说海卷一百八
  112. 古今说海卷一百九
  113. 古今说海卷一百十
  114. 古今说海卷一百十一
  115. 古今说海卷一百十二
  116. 古今说海卷一百十三
  117. 古今说海卷一百十四
  118. 古今说海卷一百十五
  119. 古今说海卷一百十六
  120. 古今说海卷一百十七
  121. 古今说海卷一百十八
  122. 古今说海卷一百十九
  123. 古今说海卷一百二十
  124. 古今说海卷一百二十一
  125. 古今说海卷一百二十二
  126. 古今说海卷一百二十三
  127. 古今说海卷一百二十四
  128. 古今说海卷一百二十五
  129. 古今说海卷一百二十六
  130. 古今说海卷一百二十七
  131. 古今说海卷一百二十八
  132. 古今说海卷一百二十九
  133. 古今说海卷一百三十
  134. 古今说海卷一百三十一
  135. 古今说海卷一百三十二
  136. 古今说海卷一百三十三
  137. 古今说海卷一百三十四
  138. 古今说海卷一百三十五
  139. 古今说海卷一百三十六
  140. 古今说海卷一百三十七
  141. 古今说海卷一百三十八
  142. 古今说海卷一百三十九

FAQ

Are the works collected in this book all complete original texts?
No. According to the original book's method, each title is somewhat abridged and divided, with the compiler cutting superfluous text while preserving the beginning and end, so what one reads is mostly an abridged edition rather than the full text. If the complete original is needed, one should seek the original book or a more complete series for comparison.
What are its characteristics compared with the Shuofu and the Leishuo?
According to the original preface's comparison, this book's collection is less rich than the Shuofu's and it contains fewer works unseen by people today than the Leishuo, but for each book it cuts superfluous text and preserves the beginning and end, making it more detailed and complete than those two. Each of the three has its strengths and they can be used for cross-reference.
Can ordinary readers without a philological background read it?
They can read selectively, but some ability to read classical Chinese is needed. It is best to start with the classified table of contents, choose categories of interest, and not read the whole book or get bogged down in textual criticism.

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About the author

陆楫 Author

Lu Ji is an ancient author about whom public information is very limited: his birth and death years, native place, and career are all unknown. Only three of his works are extant, covering topics in philosophy and history. His representative works include Gujin Shuohai and Jianjia Tang Zazhu Zhaichao. Gujin Shuohai is a comprehensive collection of fictional and miscellaneous writings, gathering notes, legends, and miscellaneous accounts from successive dynasties and preserving many rare texts; it has reference value for textual organization and the historical sources of fiction. Jianjia Tang Zazhu Zhaichao belongs to the miscellaneous writings category, containing reading notes and records of things seen and heard, and an unannotated edition also circulates. Judging from the extant works, Lu Ji's writing focuses on compiling documents and miscellaneous notes; his style is plain and practical, emphasizing the collection and preservation of materials. Because biographical information is lacking, his intellectual development and scholarly background are difficult to examine in detail, and readers can mainly understand his writings through the works mentioned above.

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