Kokin Wakashū 300
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Summary
This book selects over 300 celebrated poems of diverse styles from the thousand-plus waka of the Kokinshū and translates them with care, presenting them in Japanese and Chinese with poet biographies and incisive annotations, to help readers appreciate the art of Japanese waka and the rich emotional world and natural and human scenery behind it.
Editor's review
Who it's for
A good fit for
- Readers interested in classical Japanese literature and culture
- Poetry lovers, especially those who enjoy short poems and haiku
- Readers hoping to understand Japanese aesthetic concepts such as mono no aware and yūgen
- Readers seeking a tranquil reading experience and fond of savoring verbal imagery
Not a good fit for
- Readers seeking strong plots or long narratives
- Readers with no interest in classical poetry or who need extensive background guidance
Reading tips
- Read the waka for each season in the corresponding season, to feel the echo between poetry and nature.
- Do not rush to finish; savor a few poems each day and, with the annotations, slowly take in their emotion and imagery.
- Reading Ki no Tsurayuki's preface to understand the compilers' aesthetic ideals will help you grasp the tone of the whole collection.
About the publisher
Beijing United Publishing Co., Ltd. is a publisher known for its literature and history titles, with 2,065 books in the collection. Its publishing covers foreign literature, contemporary Chinese prose and essays, history, folk literature, and cultural books. Its list ranges from Sima Qian's complete edition of the Records of the Grand Historian to foreign classics such as The Book of Disquiet, All Quiet on the Western Front, Snow Country, The Stranger, and Jean-Christophe, as well as modern Chinese works including Teahouse and Dawn Blossoms Plucked at Dusk. Its authors and translators include Yasunari Kawabata, Fernando Pessoa, Erich Maria Remarque, Jin Xinyi, Zhou Miao, and Chen Chao. Public information is limited, but its catalogue reflects a balance between Chinese and foreign literary classics and historical and cultural works.
Contents
- 版权信息
- 译者序
- 《古今和歌集》真名序
- 辑一 春歌 (60 首)
- 1 [卷一:1]在原元方
- 2 [卷一:2]纪贯之
- 3 [卷一:3]佚名
- 4 [卷一:6]素性法师
- 5 [卷一:7]佚名
- 6 [卷一:8]文屋康秀
- 7 [卷一:11]壬生忠岑
- 8 [卷一:12]源当纯
- 9 [卷一:13]纪友则
- 10 [卷一:15]在原栋梁
- 11 [卷一:17]佚名
- 12 [卷一:19]佚名
- 13 [卷一:21]仁和帝
- 14 [卷一:23]在原行平
- 15 [卷一:24]源宗于
- 16 [卷一:25]纪贯之
- 17 [卷一:27]僧正遍昭
- 18 [卷一:31]伊势
- 19 [卷一:32]佚名
- 20 [卷一:33]佚名
- 21 [卷一:34]佚名
- 22 [卷一:36]东三条左大臣源常
- 23 [卷一:39]纪贯之
- 24 [卷一:40]凡河内躬恒
- 25 [卷一:42]纪贯之
- 26 [卷一:43]伊势
- 27 [卷一:45]纪贯之
- 28 [卷一:47]素性法师
- 29 [卷一:52]藤原良房
- 30 [卷一:53]在原业平
- 31 [卷一:61]伊势
- 32 [卷一:66]纪有朋
- 33 [卷一:67]凡河内躬恒
- 34 [卷二:72]佚名
- 35 [卷二:76]素性法师
- 36 [卷二:80]藤原因香
- 37 [卷二:83]纪贯之
- 38 [卷二:85]藤原好风
- 39 [卷二:86]凡河内躬恒
- 40 [卷二:89]纪贯之
- 41 [卷二:91]僧正遍昭
- 42 [卷二:93]佚名
- 43 [卷二:95]素性法师
- 44 [卷二:96]素性法师
- 45 [卷二:99]佚名
- 46 [卷二:102]藤原兴风
- 47 [卷二:107]春澄洽子
- 48 [卷二:111]佚名
- 49 [卷二:113]小野小町
- 50 [卷二:114]素性法师
- 51 [卷二:117]纪贯之
- 52 [卷二:118]纪贯之
- 53 [卷二:119]僧正遍昭
- 54 [卷二:120]凡河内躬恒
- 55 [卷二:122]佚名
- 56 [卷二:123]佚名
- 57 [卷二:125]佚名
- 58 [卷二:126]素性法师
- 59 [卷二:131]藤原兴风
- 60 [卷二:133]在原业平
- 辑二 夏歌(12 首)
- 61 [卷三:135]佚名
- 62 [卷三:137]佚名
- 63 [卷三:138]伊势
- 64 [卷三:139]佚名
- 65 [卷三:143]素性法师
- 66 [卷三:145]佚名
- 67 [卷三:155]大江千里
- 68 [卷三:156]纪贯之
- 69 [卷三:164]凡河内躬恒
- 70 [卷三:165]僧正遍昭
- 71 [卷三:167]凡河内躬恒
- 72 [卷三:168]凡河内躬恒
- 辑三 秋歌 (50 首)
- 73 [卷四:169]藤原敏行
- 74 [卷四:171]佚名
- 75 [卷四:172]佚名
- 76 [卷四:173]佚名
- 77 [卷四:175]佚名
- 78 [卷四:176]佚名
- 79 [卷四:182]源宗于
- 80 [卷四:186]佚名
- 81 [卷四:193]大江千里
- 82 [卷四:195]在原元方
- 83 [卷四:201]佚名
- 84 [卷四:203]佚名
- 85 [卷四:210]佚名
- 86 [卷四:217]佚名
- 87 [卷四:219]凡河内躬恒
- 88 [卷四:222]佚名
- 89 [卷四:225]文屋朝康
- 90 [卷四:226]僧正遍昭
- 91 [卷四:227]布留今道
- 92 [卷四:228]藤原敏行
- 93 [卷四:238]平贞文
- 94 [卷四:239]藤原敏行
- 95 [卷四:243]在原栋梁
- 96 [卷四:245]佚名
- 97 [卷四:246]佚名
- 98 [卷五:250]文屋康秀
- 99 [卷五:251]纪淑望
- 100 [卷五:257]藤原敏行
- 101 [卷五:258]壬生忠岑
- 102 [卷五:259]佚名
- 103 [卷五:261]在原元方
- 104 [卷五:263]壬生忠岑
- 105 [卷五:264]佚名
- 106 [卷五:266]佚名
- 107 [卷五:272]菅原道真
- 108 [卷五:273]素性法师
- 109 [卷五:274]纪友则
- 110 [卷五:278]佚名
- 111 [卷五:281]佚名
- 112 [卷五:283]佚名
- 113 [卷五:288]佚名
- 114 [卷五:289]佚名
- 115 [卷五:290]佚名
- 116 [卷五:294]在原业平
- 117 [卷五:297]纪贯之
- 118 [卷五:298]兼览王
- 119 [卷五:299]纪贯之
- 120 [卷五:303]春道列树
- 121 [卷五:309]素性法师
- 122 [卷五:311]纪贯之
- 辑四 冬歌 (12 首)
- 123 [卷六:314]佚名
- 124 [卷六:316]佚名
- 125 [卷六:318]佚名
- 126 [卷六:323]纪贯之
- 127 [卷六:324]纪秋岑
- 128 [卷六:326]藤原兴风
- 129 [卷六:330]清原深养父
- 130 [卷六:332]坂上是则
- 131 [卷六:334]佚名
- 132 [卷六:335]小野篁
- 133 [卷六:337]纪友则
- 134 [卷六:341]春道列树
- 辑五 恋歌 (109 首)
- 135 [卷十一:471]纪贯之
- 136 [卷十一:473]在原元方
- 137 [卷十一:476]在原业平
- 138 [卷十一:477]佚名
- 139 [卷十一:478]壬生忠岑
- 140 [卷十一:483]佚名
- 141 [卷十一:484]佚名
- 142 [卷十一:486]佚名
- 143 [卷十一:487]佚名
- 144 [卷十一:488]佚名
- 145 [卷十一:491]佚名
- 146 [卷十一:493]佚名
- 147 [卷十一:496]佚名
- 148 [卷十一:500]佚名
- 149 [卷十一:501]佚名
- 150 [卷十一:503]佚名
- 151 [卷十一:504]佚名
- 152 [卷十一:511]佚名
- 153 [卷十一:517]佚名
- 154 [卷十一:518]佚名
- 155 [卷十一:520]佚名
- 156 [卷十一:525]佚名
- 157 [卷十一:527]佚名
- 158 [卷十一:530]佚名
- 159 [卷十一:540]佚名
- 160 [卷十一:542]佚名
- 161 [卷十一:543]佚名
- 162 [卷十一:546]佚名
- 163 [卷十一:549]佚名
- 164 [卷十二:552]小野小町
- 165 [卷十二:553]小野小町
- 166 [卷十二:554]小野小町
- 167 [卷十二:556]安倍清行
- 168 [卷十二:557]小野小町
- 169 [卷十二:560]小野美材
- 170 [卷十二:567]藤原兴风
- 171 [卷十二:568]藤原兴风
- 172 [卷十二:572]纪贯之
- 173 [卷十二:574]纪贯之
- 174 [卷十二:577]大江千里
- 175 [卷十二:583]纪贯之
- 176 [卷十二:584]凡河内躬恒
- 177 [卷十二:591]宗岳大赖
- 178 [卷十二:593]纪友则
- 179 [卷十二:596]纪友则
- 180 [卷十二:602]壬生忠岑
- 181 [卷十二:603]清原深养父
- 182 [卷十二:607]纪友则
- 183 [卷十二:610]春道列树
- 184 [卷十二:613]清原深养父
- 185 [卷十二:615]纪友则
- 186 [卷十三:616]在原业平
- 187 [卷十三:618]在原业平
- 188 [卷十三:622]在原业平
- 189 [卷十三:623]小野小町
- 190 [卷十三:627]佚名
- 191 [卷十三:634]佚名
- 192 [卷十三:635]小野小町
- 193 [卷十三:637]佚名
- 194 [卷十三:639]藤原敏行
- 195 [卷十三:642]佚名
- 196 [卷十三:645]佚名
- 197 [卷十三:646]在原业平
- 198 [卷十三:652]佚名
- 199 [卷十三:654]佚名
- 200 [卷十三:655]橘清树
- 201 [卷十三:656]小野小町
- 202 [卷十三:657]小野小町
- 203 [卷十三:658]小野小町
- 204 [卷十三:659]佚名
- 205 [卷十三:660]佚名
- 206 [卷十三:668]纪友则
- 207 [卷十三:669]佚名
- 208 [卷十三:674]佚名
- 209 [卷十三:676]伊势
- 210 [卷十四:681]伊势
- 211 [卷十四:682]佚名
- 212 [卷十四:690]佚名
- 213 [卷十四:693]佚名
- 214 [卷十四:698]清原深养父
- 215 [卷十四:704]佚名
- 216 [卷十四:705]在原业平
- 217 [卷十四:712]佚名
- 218 [卷十四:713]佚名
- 219 [卷十四:726]佚名
- 220 [卷十四:727]小野小町
- 221 [卷十四:730]佚名
- 222 [卷十四:731]佚名
- 223 [卷十四:733]伊势
- 224 [卷十四:738]藤原因香
- 225 [卷十四:739]佚名
- 226 [卷十四:743]酒井人真
- 227 [卷十四:744]佚名
- 228 [卷十四:746]佚名
- 229 [卷十五:747]在原业平
- 230 [卷十五:751]在原元方
- 231 [卷十五:752]佚名
- 232 [卷十五:756]伊势
- 233 [卷十五:761]佚名
- 234 [卷十五:775]佚名
- 235 [卷十五:782]小野小町
- 236 [卷十五:783]小野贞树
- 237 [卷十五:789]兵卫
- 238 [卷十五:791]伊势
- 239 [卷十五:797]小野小町
- 240 [卷十五:807]藤原直子
- 241 [卷十五:821]佚名
- 242 [卷十五:822]小野小町
- 243 [卷十五:824]佚名
- 辑六 杂歌等 (60 首)
- 244 [卷七:346]佚名
- 245 [卷八:372]在原滋春
- 246 [卷八:374]难波万雄
- 247 [卷八:375]佚名
- 248 [卷八:381]纪贯之
- 249 [卷八:392]僧正遍昭
- 250 [卷八:399]凡河内躬恒
- 251 [卷八:400]佚名
- 252 [卷九:409]佚名
- 253 [卷九:417]藤原兼辅
- 254 [卷九:420]菅原道真
- 255 [卷十:424]在原滋春
- 256 [卷十:432]佚名
- 257 [卷十:444]矢田部名实
- 258 [卷十:456]安倍清行
- 259 [卷十:466]都良香
- 260 [卷十六:833]纪友则
- 261 [卷十六:836]壬生忠岑
- 262 [卷十六:838]纪贯之
- 263 [卷十六:857]佚名
- 264 [卷十七:863]佚名
- 265 [卷十七:865]佚名
- 266 [卷十七:872]僧正遍昭
- 267 [卷十七:875]兼艺法师
- 268 [卷十七:884]在原业平
- 269 [卷十七:895]佚名
- 270 [卷十七:902]在原栋梁
- 271 [卷十七:920]伊势
- 272 [卷十七:921]真静法师
- 273 [卷十七:922]在原行平
- 274 [卷十七:923]在原业平
- 275 [卷十七:924]承均法师
- 276 [卷十七:925]神退法师
- 277 [卷十八:938]小野小町
- 278 [卷十八:948]佚名
- 279 [卷十八:964]平贞文
- 280 [卷十八:982]佚名
- 281 [卷十八:985]僧正遍昭
- 282 [卷十八:991]纪友则
- 283 [卷十八:992]陆奥
- 284 [卷十八:999]藤原胜臣
- 285 [卷十九:1001]佚名
- 286 [卷十九:1010]纪贯之
- 287 [卷十九:1015]凡河内躬恒
- 288 [卷十九:1022]佚名
- 289 [卷十九:1023]佚名
- 290 [卷十九:1024]佚名
- 291 [卷十九:1026]佚名
- 292 [卷十九:1030]小野小町
- 293 [卷十九:1035]凡河内躬恒
- 294 [卷十九:1040]佚名
- 295 [卷十九:1041]佚名
- 296 [卷十九:1043]佚名
- 297 [卷十九:1058]佚名
- 298 [卷二十:1081]佚名
- 299 [卷二十:1091]佚名
- 300 [卷二十:1093]佚名
- 301 [卷二十:1096]佚名
- 302 [卷二十:1099]佚名
- 303 [卷二十:1100]藤原敏行
- 歌人小传/索引
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About the author
Ki no Tsurayuki was a poet and scholar of waka in the early Heian period of Japan, and one of the most important compilers in the history of Japanese literature. Publicly available information about his life is limited, and his exact birth and death years and specific experiences are difficult to verify. The library holds two related works, namely the Kokin Wakashū and Kokin Wakashū 300. The former is Japan's first imperially commissioned anthology of waka; Tsurayuki took part in compiling it and wrote its kana preface, which was groundbreaking in the history of Japanese literary criticism and waka theory. The latter selects three hundred poems from the anthology, making this classical collection more approachable for today's readers. His waka continue the elegant tradition of the early Heian period, valuing lingering sentiment and delicate feeling, with concise and restrained language. Tsurayuki is also known as an early practitioner of kana prose, and he had a profound influence on the development of Japanese national literature.
Chen Li is an important translator of poetry in the Chinese-speaking world; public information about him is limited, and the available records contain no detailed biographical data. Judging from the twenty works at hand, his translation interests center on foreign poetry and classical East Asian poetics: he has translated modern Western poets such as Sylvia Plath, Nelly Sachs, César Vallejo, and Pablo Neruda, while also working deeply within the Japanese haiku and waka traditions, producing selected translations of Bashō, Buson, Issa, and Chiyo-ni, as well as of the Man'yōshū and the Kokin Wakashū. His translations balance poetic rhythm with readability, often using refined Chinese to recreate the sound and imagery of the originals, so that poems from different linguistic contexts retain their tension in Chinese. These works are mostly classified under foreign literature and classical poetry, combining literary appreciation with cultural transmission, and offer Chinese readers reliable and poetic renditions for understanding world poetry.
Chang Fen-ling (born 1954) is a Taiwanese poetry critic and translator. A graduate of the English Department of National Taiwan Normal University, she formerly taught at Hualien Girls' Senior High School. Over the years she has collaborated with her husband, Chen Li, on more than thirty translated volumes of foreign poetry, and has received the Liang Shih-chiu Literary Award for Translation several times as well as the Hu Shih Translation Award in 2017. Sixteen of her works are included in the collection, among them Sylvia Plath's Ariel, selected poems of Nelly Sachs and César Vallejo, a selection of Neruda's poetry, and translations of Japanese classics such as the Man'yōshū and Kokinshū, together with anthologies of haiku by Bashō, Buson, Issa and Chiyo-ni. Her translations span modern Western poetry and classical Japanese waka and haiku, giving her a notable presence in Chinese-language poetry translation.