Pinellia Blooms
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who love Jiangnan regional literature and delicate essay writing
- Urban readers interested in the culture of the twenty-four solar terms and the aesthetics of daily life
- Literature lovers seeking immersive reading in an age of fragmentation
- Readers drawn to reflections on life and the philosophy of time from a middle-aged perspective
Not a good fit for
- Readers of popular literature seeking strong plots and fast-paced narrative
- Nonfiction readers looking for practical knowledge or methodology
Reading tips
- Read the essays in the order of the solar terms to feel the textual rhythm of time's passage
- Best read slowly on an afternoon with a cup of tea, to experience the summer atmosphere in the writing
- The book refers to many Jiangnan plants and customs; consulting background material as you read will deepen your understanding
About the publisher
Adhering to the publishing purpose of "broad education," East China Normal University Press extends beyond its three main areas of textbooks, academic works and general-interest books, and its catalogue clearly reflects a vision that bridges Chinese and foreign humanities and social sciences. In foreign literature it offers classics such as Yasunari Kawabata's Snow Country and The Old Capital (translated by Chen Dewen), Jane Austen's Pride and Prejudice, and Rilke's annotated edition of The Notebooks of Malte Laurids Brigge (translated by Chen Zao); in architecture, Chen Congzhou's two-volume Appreciation Dictionary of Chinese Gardens; in social psychology, The Social Animal: 12th Edition; and it also includes philosophy titles, traditional-culture works such as the six-volume Paintings for the Protection of Life, and education books. Its authors include renowned Chinese and foreign writers and skilled translators, showing a publishing profile that balances classic translation, scholarly accumulation and public reading. Public information is limited; the above is based only on the books in the catalogue.
Contents
- 版权信息
- 代序 生如夏花
- 半夏花开
- 旦复旦兮
- 余生当如夏花放
- 为自己干杯
- 谷雨时节花气盛
- 化作春泥更护花
- 燃灯者
- 台北·云门之约
- 守得云开见明月
- 为自己点一盏心灯
- 不虚长兴采风行
- 美国游学记
- 重回纽约
- 不翼而飞的手链
- 明格局,预未来——暨复旦校友俱乐部五周年庆
- 车混车湖
- 美差——天府行
- 交相勉,前程远——黄埔首期班毕业记
- 爱的至境是宽恕
- 三寸不烂之舌
- 2018年倒计时
- 初识青岛
- 采得百花成蜜后
- “复泛笃志”讲坛
- 自在人生
- 老友欢聚情意浓
- 可握的温暖
- 老友的醇香
- 家人家事
- 人生的奖牌
- 跨越心中每座山
- 今日我方知母真
- 我在原地等你
- 春风化雨
- 家有老神仙
- 心倾马鬃岭
- 娥眉风韵
- 喜携双亲逛北京
- 金秋故乡行
- 哀哀父母,生我劬劳
- 暗香浮动月黄昏
- 母子相携的时光
- 岁岁平安
- 爸妈的客厅
- 人模“猫”样
- 历“酒”弥新的贵州行
- 俺们村里的博物馆
- 心灵的时光
- 长江后浪推前浪
- 知福惜福是根本
- 父母德高,子女良教
- 圣诞抒怀
- 漫步人生
- 性灵之光
- 金蝉脱壳
- 生命的重量
- 暮春
- 身心之灵
- 今非昔比众生相
- 世事洞明皆学问
- 观自在
- 吾心安处即吾家
- 暮秋
- 明心见性真好
- 再见吧,喵小姐
- 2018,幸福来敲门
- 湘湖踏秋
- 洗发记
- 素履之往
- 万事只求半称心
- 人在旅途
- 过于喧嚣的孤独
- 梦里花落知多少
- 一地鸡毛
- 人生释然皆欢畅
- 此生只为一人去
- 爱的连接——观影《罗马》
- “520”感怀
- 心在微风里漫步
- 姹紫嫣红又一春
- 拾掇生活
- 人世几回伤往事
- 温暖的信笺
- 艺术盛宴,明星齐聚
- 生活的艺术
- 欧行散记
- 找寻诗意假期——记新春旧金山之行
- 品尝美食兴致浓
- 但愿人长久
- 罗马假日
- 潇洒五渔村
- 初恋巴塞罗那
- 巴黎之缘
- 阅读巴黎
- 后记
FAQ
How does this book differ from the author's earlier work My Memories of Old Beijing?
Can readers outside Jiangnan understand the regional culture in the book?
Are the essays suitable for reading in fragments?
Comments
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About the author
Li Yuanhong is an author who writes primarily in the field of prose and miscellaneous essays. Public information about her is currently limited; two works can be confirmed, namely Canglang Guiyuan: Returning to New York Is Returning Home and Banxia Huakai (Pinellia Blooms). Judging from the titles and the category, her writing draws largely on personal experience and emotional reflection, and often sets overseas experience against memories of home. Canglang Guiyuan: Returning to New York Is Returning Home, as the title suggests, deals with themes of departure and return, and may explore the sense of identity and nostalgia that arises from living across different places; Banxia Huakai carries a seasonal image and a tone of everyday lyricism, perhaps focusing on the small sensations of ordinary life. Overall, her prose tends to be calm and delicate, recording observations and states of mind in an essayistic style and conveying, through personal narrative, an understanding of home, time, and life. Since no clear records exist for the author's dates of birth and death, nationality, education, or awards, no speculation is offered here; readers may learn more about her writing through the two works mentioned above.