Ten Maladies in Healing the Healer
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Chinese medical discourse and literature on medical ethics who want to read primary texts
- Students of Chinese medical history or Ming dynasty medical thought who need primary materials
- Readers with some foundation in Chinese medicine who wish to understand ancient physicians' reflections on medical abuses
Not a good fit for
- Readers with no foundation in Chinese medicine who want a systematic introductory textbook
- People hoping to use the book for self-diagnosis and self-treatment or to find modern clinical prescriptions
Reading tips
- First understand Wu Chu's era and the genre of medical discourse, then read through the book to grasp its argumentative thread.
- Take notes on passages concerning medical ethics and abuses, and read them against the words of physicians of the same period.
- Treat the prescriptions and diagnostic content only as historical material; they do not replace professional medical advice.
Contents
- 版权信息
- 医医十病
- 序言
- 一、医医不学无术之病:
- 二、医医脉症罔辩之病:
- 三、医医轻忽人命之病:
- 四、医医遵守时套之病:
- 五、医医药似对症之病:
- 六、医医曲顺人情之病:
- 七、医医轻药保名之病:
- 八、医医吝惜药料之病:
- 九、医医妒忌谗谤之病:
- 十、医医欺哄诈骗之病:
FAQ
Is Ten Maladies of Medicine a formulary about treating illness?
Can I read this book without knowing Chinese medicine?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Wu Chu is an author for whom only limited public information is available, and verifiable details about his writing remain scarce. Two of his works are included in the collection: Personality Parasitism and Medical Doctors' Ten Maladies. Judging from their common categories, his writing touches on two directions: science fiction and culture. The former title carries a distinctly science-fictional ring, suggesting that the author may use fictional premises to explore the relationships among personality, consciousness, and individual existence; the latter is closer to cultural and real-world issues, showing a notable range in his choice of subjects. Because basic information such as dates of birth and death, nationality, and English name is not clearly recorded, it is difficult to give a fuller account of his life and creative development. Though the number of available works is small, they already reveal a writer who moves between imaginative fiction and cultural reflection, while his specific style and influence await further materials and readers' engagement.