Beijing
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in the origins of Beijing-flavored literature and the late Qing–early Republican Beijing literary scene
- History and literature enthusiasts studying Republican-era society, the press and Banner life
- Language lovers who want to experience old Beijing speech and street life through fiction
- Literary readers drawn to an idealist's spiritual predicament and autobiographical narrative
Not a good fit for
- Readers who prefer fast-paced, plot-driven, light entertainment
- Those sensitive to depictions of social darkness in the Republican era or impatient with a somber tone
Reading tips
- Begin with the preface or publisher's note to learn the background of Beijing-flavored fiction and the author's life before entering the text.
- Read Bo Yong's press-world observations alongside the plight of lower-class Banner people to appreciate the author's twofold concern.
- Mark old Beijing dialect words as you go and look them up afterward to appreciate the linguistic value.
- After finishing, revisit the social phenomena in the book alongside historical sources on the late Qing and early Republican period for deeper understanding.
Contents
- 版权信息
- 总序
- “早期北京话珍稀文献集成”序
- “清末民初京味儿小说书系”序
- 整理说明
- 序一
- 序二
- 序三
- 序四
- 序五
- 序六
- 题词
- 自序
- 第一章
- 第二章
- 第三章
- 第四章
- 第五章
- 第六章
- 第七章
- 第八章
- 第九章
- 第十章
- 第十一章
- 第十二章
- 第十三章
- 第十四章
- 第十五章
- 跋
- 疑难字表
FAQ
Is this book autobiography or fiction?
Can I understand it without prior knowledge of Beijing-flavored literature?
Is the language in the book useful for studying old Beijing speech?
Comments
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About the author
Mu Rugai is a Chinese author about whom relatively little is known; publicly available information is limited, with no clear records of nationality, dates of birth and death, or educational background, and his English name is unknown. Two of his works are currently held in the collection, mainly in the genre of social fiction, with Beijing, 1912 as a representative title. Judging from the genre and title, his writing focuses on the social landscape of Beijing during a particular historical period, with an approach oriented toward everyday urban life and realistic human relations, showing a realistic tendency characteristic of social fiction and presenting the ways of the world amid historical change through characters and ordinary scenes. The title Beijing, 1912 also suggests that the narrative may be closely related to Beijing society in the early years of the Republic of China. Because verifiable biographical information is insufficient, an assessment of his literary standing and influence still depends on the organization of more historical sources and textual materials, and readers may appreciate his narrative style and thematic orientation through his extant works.