Clipped Wings
Tags
Summary
[Premium fiction + modern romance + urban relationships + HE + love triangle tension + small-town striver + power and prejudice + workplace PUA + women's growth + 1v2]
To confirm that Ying Feiyu truly loved him, Peng Qingyi invented a lie about his "family's fall from fortune."
So Ying Feiyu proved her feelings through action:
first breaking up, then quitting her job, then changing cities.
Two years later he arrives in the city where Ying Feiyu lives, and resentment rises in him despite himself.
How could she happily marry that engineer Wen Yuelin and live so contentedly?
Editor's review
Who it's for
A good fit for
- Readers who like modern romance with realistic pain and a growth arc
- Office workers who have experienced workplace PUA and want to sort out their boundaries through fiction
- Emotion-driven readers who prefer love-triangle tension and an HE ending
- Urban women readers interested in small-town strivers and class difference
Not a good fit for
- Readers who want only light, sweet romance and won't accept early angst and push-and-pull
- Readers instinctively averse to the domineering-CEO setup and test-based emotional logic
- Readers expecting pure workplace practicalities or serious social analysis
Reading tips
- The early push-and-pull is dense; read at a chapter-by-chapter pace and don't force progress at emotional low points.
- When the heroine quits and changes cities, pause to consider which drains in your own life are worth cutting off.
- Treat Peng Qingyi and Wen Yuelin as two contrasting relationship models rather than simply picking a side.
- After finishing, revisit the details planted by the opening lie to appreciate the echoes in the characters' choices.
About the publisher
Jiangsu Kuwei Culture Development Co., Ltd. is a cultural enterprise focused on planning and publishing literature and social science books. Public information is limited, and the available details come mainly from its in-house catalogue. Its publishing areas cover prose and essays, foreign literature, social science classics, mystery and detective fiction, and history books, with attention to reissues and boxed sets of classic works. Representative titles include Wang Zengqi's essay collection Renjian Youwei, Wanwu Youqu, The Little Prince, a boxed set of Western philosophical classics, Mao Dun's classic works, a collection of Yasunari Kawabata's award-winning works, Cai Lan's essays, and the Eddie Flynn courtroom mystery series. Its authors include Chinese and foreign names such as Wang Zengqi, Mao Dun, Yasunari Kawabata, Antoine de Saint-Exupéry, Plato, and Marcus Aurelius, reflecting a publishing profile that brings together Chinese prose, foreign literature, and philosophical and social science classics.
Contents
- 版权信息
- 上卷
- 01
- 02
- 03
- 04
- 05
- 06
- 07
- 08
- 09
- 10
- 11
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- 31
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- 33
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- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 下卷
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- 59
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- 61
- 62
- 63
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- 65
- 66
- 67
- 68
- 69
- 70
- 71
- 72
- 73
- 74
- 75
- 76
- 77
- 78
- 79 结局一
- 80
- 81
- 82 结局二
- 83
- 84
FAQ
Is this an angst novel or a sweet one? Does it end in HE?
Is the heroine boy-crazy? Is her growth arc clear?
Is workplace PUA and power prejudice given much space?
Is it better read in one sitting or slowly?
Comments
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About the author
Jia Yu is a contemporary Chinese online-fiction author about whom limited public information is available. Two works by this author are currently known, namely Night Grass Grows and Trimmed Feathers, both belonging to the modern romance genre. Her writing takes contemporary urban romance as its basic setting and develops its narratives around characters' choices and changes within intimate relationships, with subject matter close to the reading tastes of present-day readers. Judging from the titles and classifications of these two works, Jia Yu tends to approach emotional themes in a restrained, imagery-rich way, presenting characters' inner states and relational tensions within the framework of romance rather than relying on strong external plot momentum. Because the author has not disclosed further biographical information, a complete picture of her writing, its stages, and its stylistic evolution is difficult to outline; the present introduction can only offer a brief summary based on the available works. Readers who wish to learn more about this author may begin with Night Grass Grows and Trimmed Feathers to appreciate her expressive orientation and emotional tone in modern romance writing.