Queen of the Leftovers
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢都市女性题材、关注婚恋话题的读者
- 曾在催婚与相亲中感到疲惫和共鸣的职场女性
- 喜欢对白犀利、内心独白细密的文风的读者
- 落落或《最小说》系列的旧读者,想看她从校园转型都市的写作
- 想了解2010年代中国“剩女”话语的文学读者
Not a good fit for
- 偏好宏大叙事、强情节类型小说的读者
- 期待轻松甜宠爱情故事的读者
- 对婚恋焦虑、长辈催婚等话题较敏感的读者
Reading tips
- 按第一部、第二部的顺序读,前后人物的关系与心理变化才能接得上
- 不妨把三位女性当作三种爱情观的对照来读,留意她们的选择差异
- 书中大量对白与内心独白适合慢读,可以边读边记下触动自己的句子
- 读完可对照2015年同名电影,比较小说与影像对盛如曦的不同处理
About the publisher
Founded in Wuhan in 1955, Yangtze River Literature and Art Publishing House is a literary publisher under Hubei Changjiang Publishing and Media Group. Public information is limited, so the following focuses on the publishing directions reflected in the books in our database. The press publishes modern and contemporary Chinese literature, classical literary studies, translated foreign literature and educational works. Its catalog includes Chen Yinke's Studies on the Origins of Sui and Tang Institutions and On Tang Political History and The Unofficial Biography of Liu Rushi, Lao She's Camel Xiangzi and Four Generations Under One Roof, and Selected Essays of Lu Xun, as well as translations such as Yasunari Kawabata's Snow Country and educational writings by Sukhomlinsky. Its publishing character lies in balancing literary classics with scholarly works, with attention to textual editing and the accumulation of major authors' works; its author resources span leading modern writers, historians and foreign authors.
FAQ
《剩者为王》一共有几部?
《剩者为王》有电影版吗?
这本书的主角是谁?
这本书是校园青春小说吗?
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About the author
Luo Luo (born 1982), whose real name is Zhao Jiarong, is a contemporary Chinese writer, director and screenwriter born in Shanghai. She is known to readers for her youth literature, including Niánhuá shì wúxiào xìn (Youth Is an Invalid Letter), Chén'āi xīngqiú (Dust Planet) and Bùxiǔ (Immortal), each of which has sold more than 300,000 copies. Her writing focuses on the emotions and confusions of young people growing up, in a delicate style. She received the Golden Dragon Award for Best Comic Screenplay from the China Animation and Comic Awards, and later moved into film, directing Sheng zhě wéi wáng (The Last Woman Standing) and Bēishāng nìliú chéng hé (Cry Me a Sad River). The library also lists works under her name, Gǔdū (The Old Capital) and Yīdòu de wǔnǚ (The Izu Dancer), commonly classified as foreign literature and social fiction; public information on the editorial background of these two works is limited and awaits further verification.