Record of Shan
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers studying Song dynasty local gazetteers and the historical geography of eastern Zhejiang
- Readers interested in local documents from the Shengzhou area of Zhejiang
- Classics enthusiasts who enjoy reading ancient prose and note-style writing
- Students of history and literature who need to consult original Song dynasty gazetteer texts
Not a good fit for
- Beginners seeking light, popular historical stories
- Readers expecting a modern travel guide or practical handbook
- Readers unused to classical Chinese who need sentence-by-sentence vernacular translation
Reading tips
- Begin with the table of contents and the preface and postscript to understand the book's structure and editorial intent, then choose categories of interest for close reading.
- Read alongside maps of Song dynasty eastern Zhejiang geography and history, noting place names and their historical changes as you go.
- When encountering cited poetry and prose, skip them at first and return on a second reading, so as not to be stalled by dense allusions from the start.
Contents
- 版权信息
- 剡录
- 提要
- 剡録原序
- 剡录巻一
- 剡録巻二
- 剡録巻三
- 剡録巻四
- 剡録巻五
- 剡録巻六上
- 剡録巻六下
- 剡録巻七
- 剡録巻八
- 剡録巻九
- 剡録巻十
FAQ
What does Shan Lu mainly record?
Can readers without a foundation in classical Chinese read this book?
How is this book different from a modern travel guide?
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About the author
Gao Sisun was a literatus and scholar of the Southern Song period. Extant public sources on his life are limited, and details such as his native place, birth and death dates, and official career cannot be reliably established. Two of his works are included here: Shan Lu (Records of Shan) and Yan Jian (Notes on Inkstones, unannotated edition). In subject matter, Shan Lu belongs to the genre of local topography, describing the mountains and rivers, people, and historical anecdotes of the Shan region, and combining geographical record with literary value. Yan Jian centers on inkstones, discussing their forms, types, and related poems and allusions, reflecting the Song literati's taste for connoisseurship of objects. Both works are concise in style, emphasizing the compilation of sources and the examination of names and objects, and are often classified under literary appreciation. Gao Sisun's writing leans toward documentary organization and critical evaluation, and is representative of Song dynasty notes, local gazetteers, and writings on studio objects, offering reference for the study of local culture and literati life.