刺绣与名绣 cover

刺绣与名绣

Rating 3.1
Word count
68K words
Chapters
26
ISBN
9787514333572

Tags

Summary

This book covers the appearance of embroidery in the Yin and Shang and Western Zhou periods, the highly developed craft of the Qin and Han dynasties, and the trend toward refinement in Tang dynasty embroidery.

Editor's review

Embroidery and Famous Embroidery is a cultural reader that systematically traces the origins and regional characteristics of Chinese embroidery. With a rigorous academic framework, Professor Xiao Dongfa examines embroidery—a traditional women's craft—within the long history of Chinese civilization. Its value lies not in listing techniques but in its deep interpretation of the social culture, aesthetic concepts, and women's lives embodied in embroidery. The book is clearly structured, moving from ancient painting and weaving to the peak of the Ming and Qing dynasties and then to the distinctive styles of the Four Famous Embroideries. Notably, the author does not stop at static descriptions of artifacts but seeks to reconstruct embroidery as living culture—its production process and contexts of use—so that readers can feel the warmth and pulse of the times behind the silk threads. The explanation of craft details balances professionalism and accessibility, with illustrations of core stitches such as flat stitch, satin stitch, and seed stitch, while avoiding overly technical jargon, so ordinary enthusiasts can find a way in. The comparative analysis of the fineness and elegance of Su embroidery, the realism and intensity of Xiang embroidery, the sumptuousness of Yue embroidery, and the delicacy and rigor of Shu embroidery reflects the author's deep grounding in comparative cultural studies. Overall, this is a high-quality guide that leads readers from admiring the surface to understanding the craft, and its cultural-historical perspective lifts it beyond an ordinary craft album, making it an important window into traditional Chinese aesthetics of daily life and women's artistic contributions.

Who it's for

A good fit for

  • Readers with a strong interest in traditional Chinese crafts and intangible cultural heritage
  • Students and practitioners in art design, fashion design, and related fields seeking creative inspiration and historical reference
  • History and culture enthusiasts who wish to understand Chinese women's history and forms of cultural expression more deeply
  • Handicraft lovers who hope to improve their aesthetic understanding through reading

Not a good fit for

  • Readers seeking detailed step-by-step illustrations and a pure embroidery technique tutorial for immediate practice
  • Readers seeking light entertainment or novel-like narrative

Reading tips

  1. It is recommended to read the first two chapters on historical development first to establish an overall framework of time and stylistic change before moving on to the chapters on specific famous embroideries.
  2. While reading, compare the text with images of representative embroideries mentioned in the book (or search online for high-resolution images of museum collections) to enhance the intuitive experience.
  3. The book can be read alongside the sections on rural crafts in Fei Xiaotong's From the Soil or Shen Congwen's Research on Ancient Chinese Clothing, to understand the social and cultural context of traditional crafts from multiple dimensions.

About the publisher

Modern Press China · Founded in 1982

Founded in 1982, Modern Press is a Chinese publisher that serves general readers across a diverse range of subjects. Judging from its catalog, its publishing focuses on classical poetry, Eastern philosophy, psychological research and application, popular science, and modern poetry, along with history, biography, and children's books. The Book of Songs, the illustrated vernacular edition of the Classic of Mountains and Seas, The Complete Poems of Dai Wangshu, and Buddhism in the Vegetable Roots reflect efforts to make traditional culture and poetry accessible; works by Carl Gustav Jung such as The Development of Personality and Understanding Your Psychological Type, together with titles from the Ivy International Education Alliance, show sustained attention to psychology and educational reading; and Stephen Hawking's works and the illustrated two-volume Brief History of Everything and A Brief History of Time indicate a commitment to popular science. Its authors include figures such as Qu Wanli, Xu Ke, Dai Wangshu, and Jung, and its publishing emphasizes retelling classics and accessible, illustrated presentation. Because public information is limited, this summary is based only on the titles in our catalog.

Contents

  1. 版权信息
  2. 序言
  3. 古老技艺——刺绣
  4. 殷商和西周就出现刺绣
  5. 秦汉时期工艺相当发达
  6. 唐代刺绣向着精致化发展
  7. 宋代刺绣开创纯审美绣画
  8. 元代刺绣向美术化方向发展
  9. 明代刺绣达到巧妙精微程度
  10. 清代刺绣宫廷民间相争艳
  11. 女红之巧——苏绣
  12. 宋代以前苏绣发展与工艺
  13. 元明苏绣技法不断发展创新
  14. 清代苏绣以精细雅洁闻名
  15. 女红之妙——湘绣
  16. 宋以前湘绣发展很有特色
  17. 元明湘绣兼收并蓄又创新
  18. 清代湘绣独树一帜
  19. 女红之美——蜀绣
  20. 宋以前蜀绣的独特技艺
  21. 元明时蜀绣的色彩明快
  22. 清代蜀绣男绣工技压群芳
  23. 女红之丽——粤绣
  24. 宋以前粤绣已发展成熟
  25. 元明时粤绣已影响到海外
  26. 清代粤绣得到繁荣发展

FAQ

How is this book different from embroidery pattern books or technique tutorials on the market?
The core of this book is cultural history and art appreciation. It focuses on the historical development, regional styles, cultural connotations, and social changes associated with embroidery, rather than teaching step by step how to embroider specific patterns. It is closer to an in-depth interpretation of 'why' and 'what' than a 'how-to' manual.
Can readers without a background in art or history understand it?
Yes. The author uses relatively plain academic language and avoids obscure theoretical jargon. Technical terms are explained in accessible terms and accompanied by historical background, so anyone with some interest in traditional Chinese culture can follow the author's logic and gain new knowledge.
Are there many images of actual embroideries in the book, and how clear are they?
As a primarily text-based work, the book includes necessary illustrations to support the discussion, but it is not an album dominated by large high-resolution color plates. Readers are advised to use it as an index and search online or in museum resources for high-resolution detail images of relevant classic embroideries to enjoy a better immersive experience.

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About the author

Xiao Dongfa Author · China · 1949–2016

Xiao Dongfa (1949–2016), whose ancestral home was Tianjin and who was born in Shenyang, was a professor and doctoral supervisor at the School of Journalism and Communication, Peking University, and director of its Institute of Modern Publishing. An important scholar in editing and publishing studies, he focused on the history of Chinese books, publishing history, and yearbook studies. He edited the History of Chinese Editing and Publishing and Chinese Libraries of Book Collecting, and led the National Social Science Fund key project A General History of Chinese Publishing, laying a solid foundation for the organization and narration of Chinese publishing history. Beyond academic writing, he attended to Peking University's institutional history and humanistic traditions, writing works such as Character: From the Imperial University to Old Peking University, Exemplars: Former Residences and Anecdotes of Peking University Notables, and Scenes: Yanyuan Landscapes and Cultural Heritage, which recount campus memories and personal stories with warmth. His works also touch on the four treasures of the study, garden architecture, and academic writing standards. Some 491 of his titles are held in the library, spanning language and culture, biography, and architecture, and combining scholarly rigor with accessible readability.

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