Song of Parting cover

Song of Parting

Rating 3.4
Word count
413K words
Chapters
86

Tags

Summary

【Cellist x Bassist (Bar Owner)】

【Modern Romance + Dual Female Leads + Both Strong + Mutual Redemption + Realism + Premium Fiction + Music】

Is this a story about saving someone? Then who saved whom? Did it succeed?

A once-famous cellist spends her whole life learning to say goodbye to the world. She lives in what she believes is the least intrusive way possible—ten years, twenty years, thirty years—stubbornly clinging to the creed she set for herself in youth, hoping to live out a life without color.

"Indifference means cutting every tie between yourself and this world."

But the questions she thought she'd crossed come circling back to her—someone she has truly, deeply fallen for, someone she wants to keep even at the cost of all reason. What if such a person actually appears?

That person says: "You love the cello because you can wrap your arms around it, Song Jianqiu—but have you ever embraced someone you love?"

She meets this possibility with silence, a devastating wavering masked by rock-solid resolve.

...

Those were wilderness years, a countdown of life that drove her to drink, and at many midnights she faced her childhood self: What is right, what is wrong?

To meet the one you love and not even dare to hold them—then why come to this world at all?

"If—and I mean if—

"If my broken soul could perceive a whole love, and if you were still willing, could we—"

Her life is a reverse narrative that begins with death.

…………

Editor's review

Set against the backdrop of a cellist and a bassist-slash-bar-owner, "Farewell Song" tells the story of two strong, wounded women drawing close to each other. The title echoes the protagonist's lifelong effort to learn how to say goodbye to the world, weaving music, real-world struggles, and emotional redemption into a narrative that is emotionally intense yet never lightweight. Song Jianqiu's indifference—her self-imposed severing of all ties—is the character's most powerful contradiction, while the other woman's questioning and embrace make "daring to love" the emotional engine of the reading experience. This is a book for readers willing to face harsh realities, who enjoy dual-strong leads and mutual redemption, and who want to walk a road—not easy, but worthwhile—alongside music and the inner lives of its characters.

Who it's for

A good fit for

  • Readers who enjoy dual female leads, both-strong dynamics, and mutual redemption stories
  • Readers interested in music-themed fiction and the identities of cellist and bassist
  • Readers who can appreciate realistic emotional writing with high emotional intensity
  • Literary fiction readers who prefer inner monologue and restrained narration

Not a good fit for

  • Readers looking only for light, sweet romance with low conflict
  • Readers with no interest in music backgrounds or realistic redemption themes

Reading tips

  1. Start with Song Jianqiu's perspective and watch how her attitude toward "connection" gradually loosens.
  2. Slow down at music-related passages to feel how the characters express emotion through their instruments.
  3. If the emotional weight feels heavy, read in installments and allow time between chapters to process the characters' struggles.

About the publisher

Jiangsu Kuwei Culture Development Co., Ltd. is a cultural enterprise focused on planning and publishing literature and social science books. Public information is limited, and the available details come mainly from its in-house catalogue. Its publishing areas cover prose and essays, foreign literature, social science classics, mystery and detective fiction, and history books, with attention to reissues and boxed sets of classic works. Representative titles include Wang Zengqi's essay collection Renjian Youwei, Wanwu Youqu, The Little Prince, a boxed set of Western philosophical classics, Mao Dun's classic works, a collection of Yasunari Kawabata's award-winning works, Cai Lan's essays, and the Eddie Flynn courtroom mystery series. Its authors include Chinese and foreign names such as Wang Zengqi, Mao Dun, Yasunari Kawabata, Antoine de Saint-Exupéry, Plato, and Marcus Aurelius, reflecting a publishing profile that brings together Chinese prose, foreign literature, and philosophical and social science classics.

Contents

  1. 版权信息
  2. 第一章 雨的路口
  3. 第二章 浪流连
  4. 第三章 白色荒野
  5. 第四章 利兹与青鸟
  6. 第五章 宿命之歌
  7. 第六章 天鹅
  8. 第七章 灵魂之形
  9. 第八章 港之礁石
  10. 第九章 冷雨夜
  11. 第十章 咏叹调
  12. 第十一章 发尾的碎言
  13. 第十二章 精灵之舞
  14. 第十三章 YYZ
  15. 第十四章 寂静的森林
  16. 第十五章 败者食尘
  17. 第十六章 梦之洞穴
  18. 第十七章 四季·冬
  19. 第十八章 挽歌
  20. 第十九章 杰奎琳之泪
  21. 第二十章 天堂的眼泪
  22. 第二十一章 新弦
  23. 第二十二章 月之城
  24. 第二十三章 序曲
  25. 第二十四章 无字歌
  26. 第二十五章 幻想城邦
  27. 第二十六章 希伯来晚祷
  28. 第二十七章 月光曲
  29. 第二十八章 轻声的爱意
  30. 第二十九章 春天的歌
  31. 第三十章 清澈高远
  32. 第三十一章 第八节诗
  33. 第三十二章 私奔向太空
  34. 第三十三章 冬风
  35. 第三十四章 我还年轻
  36. 第三十五章 往事如烟
  37. 第三十六章 一步之遥
  38. 第三十七章 喜雨
  39. 第三十八章 盛夏的脚步
  40. 第三十九章 与泪同歌
  41. 第四十章 听懂你的心
  42. 第四十一章 流长
  43. 第四十二章 给自己的歌
  44. 第四十三章 葬花
  45. 第四十四章 命运交响
  46. 第四十五章 自由鸟
  47. 第四十六章 玫瑰架
  48. 第四十七章 秋日序曲
  49. 第四十八章 赞歌
  50. 第四十九章 一瞬光阴
  51. 第五十章 白色探戈
  52. 第五十一章 撞钟
  53. 第五十二章 悠远
  54. 第五十三章 一梦之歌
  55. 第五十四章 番外 少女与稗
  56. 第五十五章 秋后
  57. 第五十六章 如常
  58. 第五十七章 潮汐
  59. 第五十八章 暖流
  60. 第五十九章 背光
  61. 第六十章 七九
  62. 第六十一章 旧夜
  63. 第六十二章 诚爱
  64. 第六十三章 对白
  65. 第六十四章 沉雾
  66. 第六十五章 泡沫
  67. 第六十六章 月相·上
  68. 第六十七章 月相·下
  69. 第六十八章 虚妄
  70. 第六十九章 繁季
  71. 第七十章 未果
  72. 第七十一章 迷境
  73. 第七十二章 空心
  74. 第七十三章 预言
  75. 第七十四章 无为
  76. 第七十五章 沥青
  77. 第七十六章 吴乔
  78. 第七十七章 无忧
  79. 第七十八章 善终
  80. 第七十九章 飞光
  81. 第八十章 舞裙
  82. 第八十一章 柳色
  83. 第八十二章 圆满
  84. 第八十三章 吴乔部分·一
  85. 第八十四章 吴乔部分·二
  86. 第八十五章 吴乔部分·三

FAQ

What are the two protagonists' identities, and how does their relationship develop?
The material indicates one is the once-famous cellist Song Jianqiu and the other a bassist and bar owner. The story revolves around the emotional and real-world collisions that follow their meeting, with tags including both-strong, mutual redemption, and music. For specifics on how the relationship progresses, refer to the main text.
Is the story ultimately a tragedy or a happy ending?
The material does not explicitly label the ending type. The synopsis focuses on Song Jianqiu's journey from "saying goodbye to the world" toward the possibility of love and embrace, with a tone that leans realistic and redemptive. If you care about the ending, consider sampling the book or checking main-text information before deciding.
Can I read this without a music background?
Yes. Music serves as the backdrop for the characters' identities and emotional expression, not a barrier to reading. The core of the story lies in the relationship and inner changes of the two women, and not knowing the cello or bass will not affect your understanding of their circumstances and emotional arcs.

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About the author

行山坡 Author

Xing Shanpo is a contracted author on Jinjiang Literature City, known for writing in the yuri genre, with works generally categorized as modern romance and youth literature. The library currently holds three of the author's works, including the representative titles Water Does Not Reflect the Moon, Madman's Wine, and Song of Parting, as well as others such as Cocoon of Desire and The Strange Records of Liangzhou. Several of these works have been licensed for audio drama and audiobook adaptations, and the audiobook of Madman's Wine has been played more than 136,000 times, showing the reach of the works in audio adaptation. Public information about Xing Shanpo's nationality, dates of birth and death, and educational background is limited; available details mainly concern the author's writing and the derivative development of the works. Overall, Xing Shanpo's writing focuses on emotional relationships and youthful experience, reaching a wider audience through audio dramas, audiobooks, and other formats.

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