First Meeting with Qin
Tags
Summary
Editor's review
Who it's for
A good fit for
- Liberal arts students studying pre-Qin prose who need to analyze argumentative structure
- History enthusiasts interested in the late Warring States unification process and the state of Qin
- Language teachers preparing to teach the rhetorical style and reasoning techniques of political strategists
- Advanced readers who wish to understand Warring States political propositions through primary texts
Not a good fit for
- Complete beginners with no Classical Chinese foundation who need sentence-by-sentence vernacular translation
- Readers who only want narrative history and have no patience for argumentative essays
- Readers who hold a single fixed view of Warring States historical sources and are unwilling to examine the text's tendencies
Reading tips
- First read through the whole text, summarize each paragraph's argument in one sentence, then map out the layers of the argument's progression.
- Read alongside basic facts about the annexation wars of the late Warring States period, distinguishing the text's claims from later historians' judgments.
- Highlight the passages listing missed opportunities for war and consider how the author uses examples to support the criticism of counselling ministers.
- After reading, compare it with other Warring States argumentative texts and compare the shared rhetorical strategies of political strategists when offering advice.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 初见秦第一
FAQ
Who is the author of "初见秦"?
Why does the essay attribute Qin's failure to achieve the name of hegemon to its counselling ministers?
What is the text's attitude toward war?
Can someone with no Classical Chinese foundation read this book?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.