Weapons Are Inauspicious cover

Weapons Are Inauspicious

Rating 3.9
Word count
104K words
Chapters
19
ISBN
9787559632593

Tags

Summary

Weapons of ill omen is a military cultural history centered on weapons and war. The term bingzhe refers both to weapons and to war itself. The book covers a series of real historical events, including the Duke of Burgundy's weapons reforms, sword duels in Renaissance Western Europe, and the Eleven Death Warriors incident in Sakai, Japan, spanning bronze cannons, matchlock guns, pike formations, steel plate armor, katana, rapiers, and other weapons and equipment, writing a new world history from a distinctive angle.

Editor's review

Weapons of Ill Omen takes weapons and war as its entry point, yet what it writes is a strikingly original cultural history of warfare. Starting from concrete cases such as the Duke of Burgundy's weapons reforms, sword duels of the Renaissance, and the Eleven Death Warriors incident in Sakai, Japan, the author traces the evolution of equipment including bronze cannons, matchlock guns, pike formations, steel plate armor, katana, and rapiers. Its value lies not in listing weapon specifications but in viewing technology, institutions, customs, and human choices together, helping readers understand why a certain weapon appeared in a certain era and why it was phased out. The narrative is story-driven with concrete cases, never dry, and suits readers interested in military history and cold-weapon culture as an introduction or supplementary reading. It should be noted that this is thematic writing rather than a general history; chapters are relatively independent, and readers can skip around by interest. Those expecting a rigorous chronological framework or systematic tactical theory may find the structure loose, but those who like entering history through details will find many interesting perspectives here.

Who it's for

A good fit for

  • Beginners interested in cold weapons and military history
  • Readers who like entering history through concrete cases
  • General readers curious about European and Japanese martial arts culture
  • Writers and content creators needing material on military culture

Not a good fit for

  • Readers expecting a systematic general history and complete chronological framework
  • Hardcore military fans who only want weapon specs and performance data
  • Readers sensitive to topics of war and violence

Reading tips

  1. Read by chapter according to interest; no need to follow the order from start to finish
  2. When encountering a type of weapon, look up the relevant historical background as you go
  3. Treat cases as entry points and focus on the relationship between technology and institutions
  4. Read alongside a general military history on the same subject to fill in the framework

About the publisher

Beijing United Publishing Co., Ltd. China · Founded in 1993

Beijing United Publishing Co., Ltd. is a publisher known for its literature and history titles, with 2,065 books in the collection. Its publishing covers foreign literature, contemporary Chinese prose and essays, history, folk literature, and cultural books. Its list ranges from Sima Qian's complete edition of the Records of the Grand Historian to foreign classics such as The Book of Disquiet, All Quiet on the Western Front, Snow Country, The Stranger, and Jean-Christophe, as well as modern Chinese works including Teahouse and Dawn Blossoms Plucked at Dusk. Its authors and translators include Yasunari Kawabata, Fernando Pessoa, Erich Maria Remarque, Jin Xinyi, Zhou Miao, and Chen Chao. Public information is limited, but its catalogue reflects a balance between Chinese and foreign literary classics and historical and cultural works.

Contents

  1. 版权信息
  2. 《兵者不祥》小序
  3. CHAPTER 1 穿越者查理和他失败的冒险之旅(上)
  4. CHAPTER 2 穿越者查理和他失败的冒险之旅(下)
  5. CHAPTER 3 转动历史之人——“大明苏武”的内亚奇行记
  6. CHAPTER 4 欧罗巴潮男的中古时尚手册
  7. CHAPTER 5 从杀人之刀到活人之剑
  8. CHAPTER 6 剑豪时代——文艺复兴决斗史
  9. CHAPTER 7 至高之术——西欧剑术的起源、兴盛、衰亡与复兴
  10. CHAPTER 8 堺市十一死侍事件始末
  11. CHAPTER 9 怨恨之刃——木曜日东京当街斩人事件怪谈
  12. CHAPTER 10 威斯康星州狩猎人类事件
  13. CHAPTER 11 斗战之眼——古战场上的护眼传奇
  14. CHAPTER 12 打上一千年——俄国群殴史
  15. CHAPTER 13 悲剧的早熟——安史之乱中的羁縻府州
  16. CHAPTER 14 栖息于巨人阴影之下的世界征服者——窝阔台合罕
  17. CHAPTER 15 假面武士——扩张中的日本国家性格嬗变
  18. CHAPTER 16 战后之战——西亚病夫的救亡之路
  19. 主要参考文献

FAQ

Is this book a systematic general history of world military affairs?
No. It adopts a thematic approach, unfolding around specific events and weapons. The chapters are relatively independent and do not lay out a complete framework in chronological order. It is better suited as supplementary reading in military cultural history than as a replacement for a general history. If you need a systematic chronological outline, it is advisable to pair it with a general military history for comparison.
Can I get into it if I don't know much about military history?
Yes. The narrative is story-driven and enters through specific events, so you can follow along without specialized knowledge. When you encounter unfamiliar weapons or terms, just look them up as you go. It is more a history book using weapons as a thread, and beginner readers will not find it too difficult.
The book covers multiple countries; will it get confusing?
The chapters have relatively independent themes, and the author unfolds around specific cases without frequently jumping between countries within the same chapter. Readers can choose chapters by interest and, after finishing, form an impression of the weapon culture of a certain era or region. If you are worried about confusion, start with the region you are most familiar with.

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About the author

刘鹤 Author

Liu He: publicly available information is limited, and no reliable biographical details can be confirmed. Three works by this author are held in the collection: Bing Zhe Bu Xiang (Warriors Are Inauspicious), Jiashen Qianye: Dahui (The Eve Before Jiashen), and Chinese-Style Etiquette. They fall under such categories as history, otherworld fantasy, and culture, suggesting a fairly wide range of subjects: the author addresses historical and traditional cultural themes while also attempting fictional genre narratives. Judging by their titles, the first two works carry historical and martial overtones—the former perhaps dealing with military affairs and ideas of fortune and misfortune, the latter set against the Jiashen year and the eve of the New Year, pointing to the close of the Ming dynasty—while Chinese-Style Etiquette turns to everyday ritual and custom. Overall, the works move between history and cultural writing, combining information with readability. As fuller background material is not yet available, the author's style and readership remain to be supplemented later.

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