Community
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Summary
Editor's review
Who it's for
A good fit for
- General readers with a lived sense of missing belonging in modern society
- University students and researchers interested in sociology and modernity
- Working professionals seeking to understand the tension between freedom and security
- Readers who enjoy reflective essays and are not satisfied with shallow psychological comfort
Not a good fit for
- Readers expecting concrete community-building plans or how-to manuals
- Those who prefer light, healing, fast-paced reading
- Readers with no sociology background who are unwilling to engage with abstract argument
Reading tips
- Read the table of contents and introduction first to grasp the book's central questions, then move into the chapters.
- Jot down your own experiences of belonging dilemmas and read them against the book's arguments.
- Pause after each chapter and restate the core argument in a sentence or two to avoid skimming.
- Read alongside the author's other works on modernity for a more complete framework of understanding.
About the publisher
Gold Wall Press is a publisher active in the fields of social culture and intellectual reading, with titles spanning social culture, literary appreciation, medicine, war and military life, and social psychology. In academic and intellectual publishing, it has released works by Zygmunt Bauman such as Individualized Society and Community, along with related writings by scholars including Cheng Boqing and Ouyang Jinggen. Its writing and creativity list is represented by John Truby's The Anatomy of Genres writing masterclass. Medical and psychological titles include Stephen W. Porges's Polyvagal Theory guide in three volumes and works such as I Try So Hard to Live. Literary works include Chen Gui and Shadow. It should be noted that public information on the press's full publishing history and organization is limited; the above introduction is based mainly on the publishing directions reflected in the books in the catalog.
Contents
- 版权信息
- 序曲 欢迎来到捉摸不透的共同体
- 第一章 坦塔罗斯的痛苦
- 第二章 重新植根被根除之物
- 第三章 分离的时代,或第二种形式的伟大转变
- 第四章 成功者的脱离
- 第五章 共同体主义的两个渊源
- 第六章 承认权和再分配
- 第七章 从平等到多元文化主义
- 第八章 结果:隔离区
- 第九章 多种文化,一种人性
- 跋
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About the author
Public information about Zygmunt Bauman's life is limited; his nationality and dates of birth and death cannot be confirmed here. Judging from the six works held in the collection, his writing centers on sociology and social and cultural criticism, commonly classified under social science, social culture, and finance and economics. Representative works include Work, Consumerism and the New Poor; The Individualized Society; Community; Mortality, Immortality and Other Life Strategies; Living on Borrowed Time: Conversations on Postmodern Society; and How Consumerism Manipulates Us. These titles show a sustained concern with consumerism, individualization, communal bonds, and the postmodern condition. He tends to ground abstract social mechanisms in everyday experience, and his prose combines diagnosis with a conversational quality, making it accessible to readers interested in social theory and cultural criticism.
Public information about Ouyang Jinggen is limited. His nationality, dates of birth and death, and full educational background cannot presently be confirmed, and no authoritative biographical account is available. According to the library's holdings, only one work appears under his name, Community, which is classified in the field of society and culture. It may therefore be inferred that his writing interests center on issues such as the composition, identity, and maintenance of social communities, and that his work belongs to humanities and social science writing aimed at general readers. On the available evidence, his style emphasizes conceptual clarification and attention to real life, seeking to connect theoretical discussion with everyday experience and to prompt readers to consider how individuals belong to groups and how shared life is possible. Because both the number of works and the biographical materials are insufficient, his intellectual lineage, stages of writing, and social influence are difficult to assess accurately; the above introduction is only a preliminary summary based on the available bibliographic information.