Liuyi Ci cover

Liuyi Ci

Rating 4.3
Word count
16K words
Chapters
229

Tags

Summary

The author Ouyang Xiu, courtesy name Yongshu, pseudonym Zuiweng and later Liuyi Jushi, was one of the "Eight Great Masters of the Tang and Song" and a prominent statesman of his time who participated in implementing the Qingli Reforms. The artistic characteristics of his ci poetry are, first, his skill in depicting everyday scenes—lines such as "a light boat and short oars, how fine West Lake is" sketch the leisurely beauty of West Lake, while "plum blossoms fading at the post station" conveys the sorrow of travel and parting, with scene and feeling blended; second, his emotions are delicate and sincere, encompassing both the open-heartedness of "life itself is made of passionate fools" and the lingering tenderness of "after parting I know not how far you are"; third, his language is clear and natural, eschewing heavy ornamentation while combining elegance and accessibility—lines such as "the moon rises to the willow tips, lovers meet after dusk" have been passed down through the ages. As an important representative and promoter of the Northern Song graceful ci, Ouyang Xiu inherited from Feng Yansi and inspired Su Shi, Qin Guan, and others, breaking once and for all the limitation of ci as "erotic verse" and greatly expanding its subject matter.

Editor's review

Ouyang Xiu's ci collection occupies a special place in the development of Song ci: he inherited Feng Yansi's depth and subtlety, inspired the expansions of Su Shi and Qin Guan, and drew ci away from purely erotic subjects, allowing everyday scenery, travel sorrow, and reflections on life to enter the form. The selections in this Liuyi Ci embody precisely this quality: West Lake scenes are clear and natural, parting emotions are delicate and sincere, and the language achieves elegance without heavy ornamentation—lines like "the moon rises to the willow tips, lovers meet after dusk" are still recited today. It need not be read as an abstruse academic text; one may begin with familiar lines and then return to the whole poem to appreciate the blending of scene and feeling. It suits casual reading in spare moments and also reading against the broader trajectory of Northern Song ci history to understand how graceful ci gradually broadened its subjects. For readers new to Song ci, this is an accessible anthology with a long aftertaste.

Who it's for

A good fit for

  • Ordinary readers wishing to be introduced to Song ci and hoping to start with classic famous pieces
  • Readers interested in Northern Song graceful ci and Ouyang Xiu's literary standing
  • Readers who enjoy clear, natural language and prefer short lyric works
  • Chinese writing or language learners in need of poetry material

Not a good fit for

  • Advanced researchers expecting detailed annotations and scholarly textual criticism
  • Readers who prefer the bold and unconstrained style and have little interest in graceful subjects
  • Readers who only want long narrative works and are unaccustomed to the short forms of ci

Reading tips

  1. Begin with the pieces containing famous lines such as "the moon rises to the willow tips" to build familiarity before reading the rest.
  2. After finishing each poem, try summarizing the scene and emotion in your own words to appreciate Ouyang Xiu's blending of scene and feeling.
  3. Read alongside the trajectory of Northern Song ci history, noting his inheritance from Feng Yansi and his influence on Su Shi.

Contents

  1. 版权信息
  2. 采桑子
  3. 采桑子
  4. 采桑子
  5. 采桑子
  6. 采桑子
  7. 采桑子
  8. 采桑子
  9. 采桑子
  10. 采桑子
  11. 采桑子
  12. 采桑子
  13. 采桑子
  14. 采桑子
  15. 朝中措
  16. 长相思
  17. 长相思
  18. 长相思
  19. 诉衷情
  20. 踏莎行
  21. 踏莎行
  22. 望江南
  23. 减字木兰花
  24. 减字木兰花
  25. 减字木兰花
  26. 减字木兰花
  27. 减字木兰花
  28. 生查子
  29. 生查子
  30. 阮郎归
  31. 阮郎归
  32. 蝶恋花
  33. 蝶恋花
  34. 蝶恋花
  35. 蝶恋花
  36. 蝶恋花
  37. 蝶恋花
  38. 蝶恋花
  39. 蝶恋花
  40. 蝶恋花
  41. 蝶恋花
  42. 蝶恋花
  43. 蝶恋花
  44. 蝶恋花
  45. 蝶恋花
  46. 蝶恋花
  47. 渔家傲
  48. 渔家傲
  49. 渔家傲
  50. 渔家傲
  51. 渔家傲
  52. 渔家傲
  53. 渔家傲
  54. 渔家傲
  55. 渔家傲
  56. 渔家傲
  57. 渔家傲
  58. 渔家傲
  59. 渔家傲
  60. 渔家傲
  61. 渔家傲
  62. 渔家傲
  63. 渔家傲
  64. 渔家傲
  65. 玉楼春
  66. 玉楼春
  67. 玉楼春
  68. 玉楼春
  69. 玉楼春
  70. 玉楼春
  71. 玉楼春
  72. 玉楼春
  73. 玉楼春
  74. 玉楼春
  75. 玉楼春
  76. 玉楼春
  77. 玉楼春
  78. 玉楼春
  79. 玉楼春
  80. 玉楼春
  81. 玉楼春
  82. 玉楼春
  83. 玉楼春
  84. 玉楼春
  85. 玉楼春
  86. 玉楼春
  87. 玉楼春
  88. 玉楼春
  89. 玉楼春
  90. 玉楼春
  91. 玉楼春
  92. 玉楼春
  93. 渔家傲
  94. 渔家傲
  95. 渔家傲
  96. 渔家傲
  97. 渔家傲
  98. 渔家傲
  99. 渔家傲
  100. 渔家傲
  101. 渔家傲
  102. 渔家傲
  103. 渔家傲
  104. 渔家傲
  105. 渔家傲
  106. 渔家傲
  107. 渔家傲
  108. 渔家傲
  109. 渔家傲
  110. 渔家傲
  111. 渔家傲
  112. 渔家傲
  113. 渔家傲
  114. 渔家傲
  115. 渔家傲
  116. 渔家傲
  117. 南歌子
  118. 御街行
  119. 桃源忆故人
  120. 桃源忆故人
  121. 临江仙
  122. 临江仙
  123. 圣无忧
  124. 浪淘沙
  125. 浪淘沙
  126. 浪淘沙
  127. 浪淘沙
  128. 浪淘沙
  129. 定风波
  130. 定风波
  131. 定风波
  132. 定风波
  133. 定风波
  134. 定风波
  135. 蓦山溪
  136. 浣溪沙
  137. 浣溪沙
  138. 浣溪沙
  139. 浣溪沙
  140. 浣溪沙
  141. 浣溪沙
  142. 浣溪沙
  143. 浣溪沙
  144. 浣溪沙
  145. 御带花
  146. 虞美人
  147. 鹤冲天
  148. 夜行船
  149. 夜行船
  150. 洛阳春
  151. 雨中花
  152. 越溪春
  153. 贺圣朝影
  154. 洞天春
  155. 忆汉月
  156. 清平乐
  157. 凉州令
  158. 南乡子
  159. 南乡子
  160. 鹊桥仙
  161. 圣无忧
  162. 摸鱼儿
  163. 少年游
  164. 少年游
  165. 少年游
  166. 鹧鸪天
  167. 千秋岁
  168. 千秋岁
  169. 醉蓬莱
  170. 于飞乐
  171. 鼓笛慢
  172. 看花回
  173. 蝶恋花
  174. 蝶恋花
  175. 蝶恋花
  176. 蝶恋花
  177. 武陵春
  178. 梁州令
  179. 渔家傲
  180. 渔家傲
  181. 渔家傲
  182. 渔家傲
  183. 渔家傲
  184. 一斛珠
  185. 惜芳时
  186. 洞仙歌令
  187. 洞仙歌令
  188. 鹊踏枝
  189. 品令
  190. 燕归梁
  191. 燕归梁
  192. 圣无忧
  193. 锦香囊
  194. 系裙腰
  195. 阮郎归
  196. 阮郎归
  197. 阮郎归
  198. 怨春郎
  199. 滴滴金
  200. 卜算子
  201. 感庭秋
  202. 满路花
  203. 好女儿令
  204. 南乡子
  205. 南乡子
  206. 踏莎行
  207. 踏莎行
  208. 诉衷情
  209. 诉衷情
  210. 恨春迟
  211. 盐角儿
  212. 盐角儿
  213. 忆秦娥
  214. 少年游
  215. 踏莎行慢
  216. 蕙香囊
  217. 玉楼春
  218. 玉楼春
  219. 玉楼春
  220. 玉楼春
  221. 玉楼春
  222. 定风波
  223. 减字木兰花
  224. 减字木兰花
  225. 迎春乐
  226. 一落索
  227. 夜行船
  228. 夜行船
  229. 望江南

FAQ

Does Liuyi Ci include all of Ouyang Xiu's ci works?
The materials indicate that this book is a selected anthology of Ouyang Xiu's ci; the exact scope is subject to the table of contents. Readers may use it as an introductory reader to the artistic characteristics of Ouyang's ci; for comprehensive study, more complete editions should be consulted.
Are Ouyang Xiu's ci and Su Shi's ci similar in style?
Not entirely. Ouyang Xiu is an important representative of Northern Song graceful ci, with clear, natural language and delicate emotion; Su Shi, building on Ouyang's expansion of subjects, moved further toward the bold and expansive. The materials note that Ouyang's ci inherited from Feng Yansi and inspired Su Shi and others, showing a relationship of succession rather than identical style.
Do I need to understand tonal patterns before reading this collection?
No. Ordinary readers can begin with scene description and emotional expression, feeling the imagery and mood of lines like "a light boat and short oars, how fine West Lake is." Knowledge of tonal patterns can accumulate gradually through repeated recitation and need not be a prerequisite.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Ouyang Xiu Author · Chinese · 1007–1072

Ouyang Xiu (1007–1072), courtesy name Yongshu, styled Zuiweng and later Liuyi Jushi, was a native of Yongfeng in Jizhou (present-day Ji'an, Jiangxi). A statesman, man of letters and historian of the Northern Song dynasty, he was one of the Eight Great Prose Masters of the Tang and Song and a leader of the Northern Song movement to reform poetry and prose. He held that writing should illuminate the Way and serve practical ends, and his plain, natural style deeply influenced later prose. In historiography he was chief editor of the New Book of Tang and sole author of the New History of the Five Dynasties. He rose to Vice Privy Councillor and Assistant Administrator and received the posthumous title Wenzhong. The collection holds 30 of his works, including complete collections, poetry and prose anthologies, the notebook Guitian Lu and historical writings.

More by the same author

Top rated in the same category