Lord of Light
Tags
Summary
Editor's review
Who it's for
A good fit for
- Science fiction readers who love mythic retellings and an epic quality
- Reflective readers concerned with religion, power and free will
- Readers who want to broaden their science fiction reading and enjoy gorgeous prose
- Book club members with uninterrupted time who are willing to read slowly and discuss
Not a good fit for
- Readers who prefer linear narrative and fast-paced action
- Readers seeking light entertainment who do not want to puzzle over metaphor
- Readers completely unfamiliar with the mythic characters and unwilling to look them up
Reading tips
- Read the main text first; do not stop at unfamiliar divine names but build relationships from context.
- After each chapter, note in one sentence "who is contesting the right of interpretation" to trace the main thread.
- When finished, reread the opening and reconsider the relationship between "miracles" and narrative in the story.
About the publisher
Beijing United Publishing Co., Ltd. is a publisher known for its literature and history titles, with 2,065 books in the collection. Its publishing covers foreign literature, contemporary Chinese prose and essays, history, folk literature, and cultural books. Its list ranges from Sima Qian's complete edition of the Records of the Grand Historian to foreign classics such as The Book of Disquiet, All Quiet on the Western Front, Snow Country, The Stranger, and Jean-Christophe, as well as modern Chinese works including Teahouse and Dawn Blossoms Plucked at Dusk. Its authors and translators include Yasunari Kawabata, Fernando Pessoa, Erich Maria Remarque, Jin Xinyi, Zhou Miao, and Chen Chao. Public information is limited, but its catalogue reflects a balance between Chinese and foreign literary classics and historical and cultural works.
Contents
- 版权信息
- 序言
- I
- II
- III
- IV
- V
- VI
- VII
- 解说
FAQ
Is Lord of Light suitable for science fiction beginners?
Do I need to know Indian mythology before reading?
Is this book better read in one sitting or in sections?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Roger Zelazny was a science fiction author. Public information available in China is limited, and his dates of birth and death, nationality, and educational background are not confirmed here. Five of his works are included in the collection, among them The Doors of His Face, the Lamps of His Mouth, Lord of Light, and the two-volume Lord of Light series; his writing also appears in anthologies such as Flowers for Algernon (A Selection of Masterworks by the World's Top Science Fiction Masters) and Timeless Science Fiction Classics (32 volumes). His work is usually classed as science fiction and fine fiction, and his themes often involve myth, religion, and philosophical reflection. His imagination is rich and his language carefully wrought, blending ancient mythological structures with futuristic speculation and sustaining tension between genre entertainment and serious thought. These works have had a certain influence among Chinese science fiction readers, combining narrative appeal with intellectual depth.
Public information about Hu Shu is very limited. All that is currently known is that nine of the author's works are held in the library, mostly in the fields of science fiction and genre fiction. Judging from the representative works, the titles Hu Shu has been involved in presenting or introducing include Asimov's complete short science fiction, BlindSight, Blindsight & Echopraxia and related boxed sets, the Lord of Light series, the "Rogues of Io" trilogy, The Quantum Thief, and the five-volume "Newbie Death" series, covering foreign science fiction classics and imaginative otherworldly themes. The library's categories place these works under premium fiction, science fiction, otherworldly continents, and foreign literature, suggesting that Hu Shu's editorial or creative focus leans toward the dissemination of science fiction and genre literature. Because birth and death dates, nationality, and personal history are all unknown, it is difficult to sketch a biography; the existing catalog can only indicate a close connection to science fiction publishing, and further information awaits public records.