Belief Culture (Part 1)

Li Munan: publicly available information is limited, and details of his life, such as nationality and dates of birth and death, are not clearly recorded. Nevertheless, the 229 works held in the library indicate a prolific compiler with wide-ranging interests. His works focus mainly on Chinese culture and history, and representative titles include Chinese Martial Arts (Volume Two), The Grand Compendium of Chinese Cultural Knowledge: Science and Military Volume, The Grand Compendium of Chinese Cultural Knowledge: Politics and History Volume, The History of Ancient Chinese Literature, The History of Contemporary Chinese Literature, Poems of Successive Dynasties, and Residential Architecture and Folk Customs (Volume One). The common categories cover culture, popular science, general biography, and history readers, showing that his writing centers on knowledge popularization and cultural dissemination. His subjects span literary history, folk customs, military science, and political history, and are mostly aimed at general readers. Overall, Li Munan's body of work is extensive and emphasizes the systematic organization of traditional Chinese culture and historical knowledge, giving him a certain accumulated presence and influence in the compilation of popular cultural reading materials.

Jie Baofeng, born in 1976 and a native of Qianguo, Jilin, is of Han ethnicity and serves as an assistant researcher. He is currently director of the Jilin Provincial Local Chronicles Museum, a member of the Standing Committee of the Jilin Provincial CPPCC, and vice chair of the Jilin Provincial Committee of the China Association for Promoting Democracy, and has long been engaged in compiling local chronicles. He has planned and published more than ninety chronicles and gazetteers, including the Illustrated Gazetteer of the Colonial Governing Institutions of the Puppet State of Manchukuo, and has served as chief editor of numerous history and popular science series, gaining extensive experience in document organization and knowledge dissemination. His works span a wide range of subjects, including folk literature, inspirational growth, and social fiction, with 970 titles held in the collection. These include multivolume editions of traditional classics such as the Classic of Mountains and Seas and The Complete Works of Guiguzi, as well as accessible popular readings, reflecting an editorial approach that balances scholarship with readability.

Liu Xinlian is a Chinese compiler credited with a considerable number of titles, though public information about her is limited, and her nationality, dates of birth and death, and personal background are not clearly recorded. Judging from the 182 works held in the collection, her writing focuses mainly on cultural popularization and general knowledge books, covering such subjects as Chinese martial arts, political history, science and military affairs, emperors and eunuchs of successive dynasties, imperial examination top scholars, and myths and legends. The common categories include culture, popular science, history readings, folk literature, and general biography. Representative works include Chinese Martial Arts (Volume II), The Grand View of Chinese Culture: Political and Historical Volume, The Grand View of Chinese Culture: Science and Military Volume, Emperors of Successive Dynasties, and Myths and Legends. Overall, her editorial style leans toward accessible introductions for general readers, emphasizing systematic organization and readability, making it suitable for ordinary readers seeking to understand traditional culture and historical knowledge.