The Cries of London
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Summary
Editor's review
Who it's for
A good fit for
- Readers interested in 18th-century British society, culture, and the history of daily life
- Lovers of literature who appreciate the essay form and enjoy concise, elegant, insightful prose
- Those looking for light yet thought-provoking reading for odd moments
- Writers or anyone interested in the development of style and the craft of essay writing
Not a good fit for
- Readers looking for strongly plotted, fast-paced fiction
- Readers with no patience for or interest in historical context and social commentary
Reading tips
- You need not read it in order; dip in at random and start with pieces that interest you, experiencing Addison's "spectator" perspective.
- As you read, imagine yourself on an 18th-century London street or in a coffeehouse; this brings out the vividness of the scenes and the subtlety of the irony.
- Reading alongside popular books on the Enlightenment or British history can deepen your understanding of the background.
About the publisher
Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.
Contents
- 版权信息
- 英国随笔简论——《伦敦的叫卖声》译序
- 阿狄生与斯梯尔
- 旁观者自述
- 旁观者俱乐部
- 《旁观者报》的宗旨
- 伦敦的叫卖声
- 某君日记
- 斯威夫特
- 关于一把扫帚的沉思
- 育婴刍议
- 《婢仆须知》总则
- 哥尔斯密斯
- 黑衣人
- 西敏大寺记游
- 兰姆
- 梦幻中的孩子们
- 读书漫谈
- 退休者
- 兰姆自传
- 兰姆书简四通
- 赫兹里特
- 论平易的文体
- 论青年的不朽之感
- 伊利亚
- 亨特
- 睡眠小议
- 德·昆西
- 知识的文学与力量的文学
- 夏洛蒂·勃朗特
- 艾里斯·贝尔与阿克顿·贝尔生平纪略
- 佩特
- 《文艺复兴史研究》的引言和结语
- 斯蒂文森
- 理想中的黄金国
- 乞丐
- 为闲人一辩
- 本森
- 随笔作家的艺术
- 鲁卡斯
- 葬礼
- 伍尔夫
- 玛丽·沃尔斯顿克拉夫特
- 多萝西·华兹华斯
- “我是克里斯蒂娜·罗塞蒂”
- 一个人应该怎样读书?
FAQ
Is the author A-disheng or Addison?
Is the whole book about "street cries"?
How difficult is the book?
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About the author
Public information about Addison is limited; all that is currently known is that a single work, The Cries of London, is attributed to this author and is classified as prose and miscellaneous writings. Judging from the title and genre, the author turns attention to the sounds and scenes of everyday city life, with the writing likely dwelling on ordinary things such as street vendors' calls and the bustle of alleys and lanes, recording and portraying the urban character of London in the form of prose sketches. Writing of this kind tends to be plain in language and rich in observation, skilled at drawing interest and meaning from small scenes of daily life; it preserves a flavor of the streets while carrying the relaxed tone of a literary essayist. On the available evidence, Addison's life, nationality and full body of work cannot be established, and the influence of the work remains to be further examined. Readers who open The Cries of London may treat it as a prose glimpse of old London street life and appreciate the author's delicate attention to the city's sounds and ordinary existence.