From Modern to Classic 2
Tags
Summary
Editor's review
Who it's for
A good fit for
- Architecture and interior design students who need case material and training in design observation
- Residential designers seeking insight into the spatial organization and detail handling of high-end villas
- General readers interested in the aesthetics of private luxury homes and villas
- Owners planning to build or renovate a home, using the book to broaden their design horizons
Not a good fit for
- Readers seeking systematic architectural theory or technical standards
- Readers needing practical guidance on construction techniques and budget control
- Readers who prefer purely textual argument and are not interested in casebook-style collections
Reading tips
- Begin with the contents and project types, then select three categories of residences that interest you most for comparative reading
- For each case, note three points: its response to the environment, its circulation organization, and its material choices
- Annotate in light of your own living needs, distinguishing methods worth borrowing from those merely worth admiring
- After finishing, choose one case and try sketching a simple plan or elevation relationship diagram
Contents
- 版权信息
- 致谢
- 理查德·兰德里题词
- 序
- 前言
- 戈尔斯住宅Ⅱ
- KFA住宅
- BMSZB住宅
- 贾罗尔住宅
- 富兰克林住宅
- 罗斯住宅
- 巴兹勒住宅
- 现代住宅
- 奥利弗住宅
- 马丁住宅
- 戈尔斯海滩别墅
- 马卡比住宅
- 罗森住宅
- 灰鹰住宅
- 法式住宅Ⅱ
- 附录
- 住宅一览表
- 公司简介
- 董事长 & 创始人
- 合伙人
- 助理
- 全体职员
- 相关出版物
FAQ
Is this book suitable for readers with no architectural background?
Can the cases in the book be directly copied into one's own residential design?
What should readers focus on when reading this book?
How is this book different from ordinary villa picture books?
Comments
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About the author
Richard Landry is an author about whom little public information is available. The library currently holds only one work by him, From Modern to Classic 2, which is commonly classified under design. This suggests that Landry's writing focuses on design, particularly the process and principles by which modern design evolves into classic forms. His nationality, dates of birth and death, educational background, and professional identity cannot be confirmed, nor is it possible to determine whether he has published other works or has long been engaged in design research. Judging solely from this book, however, the author shows an approach that traces design styles through their historical development and examines, across time, what makes a design become classic. For readers seeking to understand how modern design settles into classic status, the book offers a useful perspective, while further information about the author awaits fuller public disclosure.