Qiuchi Notes cover

Qiuchi Notes

Rating 3.8
Word count
12K words
Chapters
105

Tags

Summary

Traditional Chinese thought and culture have a long history and are highly original, inventive and literary. Early forms of thought are distinctive: religious theology, classical texts of Chinese medicine, ancient military strategy, Confucianism, Daoism, Buddhism and the Hundred Schools, feng shui and metaphysics, the Twenty-Four Histories, and local customs and geography are all profound and vast. This "Essence of Classic Chinese Culture: Original Texts" series preserves the original appearance of the books, with the emphasis on preserving and transmitting traditional Chinese thought and culture. Through reading the literary essence left by ancient sages, readers cultivate their character and quietly absorb the classics of Chinese learning.

Editor's review

Chouchi Biji is traditionally attributed to Su Shi. A work of notebook literature, it consists mostly of casual jottings and miscellaneous records of things seen and heard; its prose is plain and spare, with the offhand charm typical of Song-dynasty notebooks. Included in the "Essence of Classic Chinese Culture: Original Texts" series, it preserves the original appearance of the text, with the emphasis on preserving and transmitting traditional thought and culture, so readers encounter a text not rewritten for modern popular consumption. Its value lies not in systematic theoretical construction but in offering fragments of earlier scholars' daily reading, observation and reflection, and it can be read as a side window into the intellectual world of Song literati. It is best dipped into rather than read straight through; for allusions, figures and names of things, consult reference works or reliable annotated editions. Readers already familiar with Su Shi will better appreciate the temperament and period flavour of his writing in these notes.

Who it's for

A good fit for

  • Readers interested in Su Shi and Song-dynasty literati notebooks who are willing to read the original text
  • Lovers of traditional culture who enjoy short jottings and reading at random
  • Readers with some classical Chinese who can use reference works to look up allusions
  • Students or self-learners who want to understand Song scholars' daily observations and reading notes

Not a good fit for

  • Beginners seeking a systematic biography or literary works of Su Shi
  • Readers who rely entirely on vernacular translation and do not want to consult classical sources
  • Readers expecting coherent plots and a complete narrative structure

Reading tips

  1. There is no need to read in order; pick entries that interest you from the table of contents to build familiarity with the language, then expand.
  2. Mark personal names, place names and allusions as you go, and look them up together after finishing an entry to avoid constant interruption.
  3. Read alongside Su Shi's poetry and prose or an anthology of Song notebooks to appreciate how notebook writing differs from formal works.
  4. Three to five entries per session is enough; jot down a sentence or two afterwards to build an overall impression of Song notebook writing.

Contents

  1. 版权信息
  2. 序
  3. 卷 上
  4. 论文选
  5. 三殇
  6. 日月蚀
  7. 中宫太一
  8. 八阵图诗
  9. 不忮之诚信于异类
  10. 阳关三叠
  11. 老子解
  12. 三豪诗
  13. 万花会
  14. 酒名
  15. 论诗
  16. 谿洞画李师中像
  17. 韩玉汝李金吾
  18. 舒公封荆公
  19. 以意改书
  20. 书秋雨诗
  21. 杜子美诗
  22. 子美诗外有事在
  23. 白乐天诗
  24. 成相
  25. 拟作
  26. 姜多食损智
  27. 石墨
  28. 桃笙
  29. 如梦词
  30. 论物理
  31. 木螙
  32. 晋人书
  33. 古镜
  34. 砑光帽
  35. 戴松鬭牛
  36. 鹅有二能
  37. 戒杀
  38. 论医
  39. 看茶啜墨
  40. 正献公焚圣语
  41. 世有显人
  42. 论金土同价
  43. 巫蛊
  44. 字谜
  45. 论墨
  46. 李赤诗
  47. 论茶
  48. 鲁直诗文
  49. 论漆
  50. 二红饭
  51. 大禹周公
  52. 卷下
  53. 论设醴
  54. 服松脂
  55. 孔北海
  56. 鸡唱
  57. 晋卿墨
  58. 徐仲车二反
  59. 硬黄临二王书
  60. 鲁直诗
  61. 佛受戒平寃
  62. 君谟书
  63. 张子野诗
  64. 林擒诗
  65. 凤咮砚
  66. 李十八草书
  67. 杨凝式书
  68. 杜甫诗
  69. 与昙秀倡和
  70. 与可拾诗
  71. 论董秦
  72. 盘游饭谷董羹
  73. 煮猪头颂
  74. 草诗
  75. 采艾
  76. 治内障眼
  77. 潘谷墨
  78. 雪堂义尊
  79. 颜鲁公临逸少字
  80. 欧公书
  81. 荆公书
  82. 真人之心
  83. 搬运法
  84. 勤修善果
  85. 众狗不悦
  86. 梦韩魏公
  87. 真一酒
  88. 蒸豚诗
  89. 五谷耗地气
  90. 论菊
  91. 永洛之役
  92. 二李优劣
  93. 太尉足香
  94. 西征途中诗
  95. 易书论语说
  96. 论金盐
  97. 放生池碑
  98. 三騣马
  99. 神清洞
  100. 论杜甫杜鹃诗
  101. 论淳于髠
  102. 竹雌雄
  103. 戒杀
  104. 广利王召
  105. 夏敬观跋

FAQ

Was Chouchi Biji written by Su Shi himself?
Chouchi Biji is traditionally attributed to Su Shi, but the composition and attribution of such notebooks in ancient texts are often complex, and later compilation or attribution to a famous name is possible. Readers may treat it as a notebook text traditionally attributed to Su Shi; for the precise question of authorship, consult specialist scholarship rather than worrying about it on a first reading.
Can I read this book without any foundation in classical Chinese?
It will be difficult. The book preserves the original text and offers no vernacular translation for beginners. If your classical Chinese is weak, start with an annotated selection of Su Shi's poetry and prose or excerpts from Song notebooks, build up common vocabulary and allusions, then try this volume with reference works at hand.
Should this book be read from beginning to end?
No. Entries in notebook literature often have no strict system and are suited to browsing. Look at the table of contents first, start with entries that interest you, read a few and put the book down, then continue another time. This lowers the pressure of reading and better suits the rhythm of notebook literature.

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About the author

Su Shi Author · China (Northern Song dynasty) · 1037–1101

Su Shi (1037–1101), courtesy name Zizhan and literary name Dongpo Jushi, was a native of Meishan in Meizhou (present-day Meishan, Sichuan) and a writer, calligrapher, painter, and statesman of the Northern Song dynasty. He excelled in poetry, ci lyrics, prose, and fu, and was one of the Eight Great Prose Masters of the Tang and Song. His ci opened the bold and unconstrained school, and his calligraphy ranks first among the Four Masters of Song. The collection contains twenty-eight of his works, including Dongpo Yuefu jian, Dongpo zhilin, Su Shi ciji, Lun shu, Chao Cuo lun, and Dongpo ji, covering poetry, historical essays, miscellaneous notes, and writings on calligraphy and painting. His prose is sweeping and unrestrained, his poetry clear and vigorous, and his ci broke through the confines of delicate romance, using poetry as the basis for ci and broadening both its subjects and its scope, while his brief occasional pieces are casually sketched yet rich in feeling. His work has had a profound influence on later literature, calligraphy and painting, and literati life, and has long been regarded as classic, often placed in the categories of ancient poetry, Eastern philosophy, and literary appreciation.

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