Warmth at the Cloud Cliff
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers of memoir-style essays who value sincere emotional expression
- Readers interested in local history, customs, and the cultural landscape of cities
- Ordinary readers hoping to find warmth and reflection in daily life and the past
- Writers concerned with local cultural documentation and humanistic geographical writing
Not a good fit for
- Readers who prefer strong plots and fast-paced fiction
- Readers expecting a systematic local-gazetteer-style compilation of materials
- Readers with little interest in memoir essays and lyrical prose
Reading tips
- Read in the order of the three parts—first the memories of relatives and friends, then the landscapes and local customs—for greater clarity.
- Read one or two pieces a day and leave room for reflection; there is no need to finish in one sitting.
- When you reach passages about local customs, compare them with your own experience of a familiar city to deepen your understanding.
- Keep a pen at hand to mark passages that move you, for rereading later.
About the publisher
China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.
Contents
- 版权信息
- 序 一株蓝花楹
- 昆虫记
- 腾越的脉管
- 绿毡上的芭蕾
- 梨花落春寒
- 木树朗的通途
- 六维显影豆沙关
- 乡声重奏
- 逆履岷江
- 司莫拉,那一张张笑脸
- 文韵流芳怅别离
- 翁丁遗韵
- 一夜冬寒憾天明
- 贡山行吟
- 村庄四季歌
- 节孝巷里听女声
- 东坡故里的仰望
- 那年春节
- 建筑工写意
- 一梦现实谒乡土
- 犹是晨风清新
- 疫被情驱离
- 我的河床
- 絮语之暖
- 稻绿谷黄
- 好好“打酱油”(后记)
FAQ
Where does the title "Yunya Nuan" come from?
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About the author
Li Xing: currently, public information is limited. Details of the author's life, such as nationality, dates of birth and death, and educational background, are not clearly recorded and await further verification. According to the library's holdings, Li Xing has one work, the prose collection Yun Ya Nuan (Warmth by the Cloudy Cliff). The juxtaposition of "cloudy cliff" and "warmth" in the title suggests a sensibility that perceives human warmth amid travel or mountain scenery, hinting that the work may lean toward travel notes, reflections, and everyday observation. The category of prose and miscellaneous writings indicates that Yun Ya Nuan is probably not a long discussion of a single theme but consists of flexible pieces that can accommodate narrative, lyricism, and random thoughts. Because biographical material is scarce, this note avoids speculation about the author's life. Readers may begin directly with the work and feel the emotion and observation in its writing; other experiences and the course of Li Xing's writing await more public information.