Evidence from Books
Tags
Summary
Editor's review
Who it's for
A good fit for
- Law students studying evidence law who need to clarify the classification of evidence
- Legal practitioners dealing with the identification of written materials in casework
- Self-learners interested in the basic concepts of the evidence system
- Teachers of evidence law courses who need concise conceptual materials
Not a good fit for
- Experienced legal professionals seeking in-depth case analysis and practical techniques
- Readers with no legal background who are only looking for narrative content
- Readers focused on evidence types other than documentary evidence and seeking specialized treatment
Reading tips
- First memorize the two dimensions of documentary evidence—written form and intellectual content—then practice judging with written materials around you.
- Keep one or two cases at hand while reading and test each against the criterion of "whether the content is relevant to the fact in issue."
- Read alongside other entries on the classification of evidence to clarify the boundaries between documentary evidence, physical evidence, and witness testimony.
About the publisher
"Republic-era Commercial Press Original Editions" refers to original books printed by The Commercial Press during the Republican period, not a separate publishing house. Judging from the 300 titles held in the collection, its publishing focus centers on classical poetry and lyrics, literary appreciation, classic works, military texts, prose and miscellaneous writings, and Eastern philosophy. Representative titles include Wang Guowei's Renjian Cihua, Zhong Rong's Shipin, the lyric collections of Xin Qiji and Liu Yong, Sun Wu's The Art of War, and Lü Buwei's Xianshi Lan. Its author resources are mainly classical writers, together with modern scholars such as Li Jingbang and Guo Huaruo, whose collations and annotations are also represented, giving the list a character centered on original texts while attending to annotation and appreciation. Public information on the precise Republican-era catalog and printings is limited; this overview is based only on the titles held in the collection.
Contents
- 版权信息
- 正文一
- 正文二
- 正文三
- 正文四
- 正文五
FAQ
On what grounds can documentary evidence serve as a basis for determining the facts of a case?
Does any material with writing count as documentary evidence?
Can symbols and patterns also constitute documentary evidence?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.