Qiao and He
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Summary
Qieqie never imagined that a boy would burst into her life and stretch across the indispensable years of growing up that followed.
The boy she adored was outstanding, pure as ice and clean as jade.
But in an instant, fate toyed with him and he fell into the abyss.
He was devastated; she stayed by his side.
Neither was the other's cure, yet each became the other's lifeline.
The clown became a warrior; the princess found herself.
At last the clouds dispersed and the rain cleared; my longing for that boy has never ceased.
Editor's review
Who it's for
A good fit for
- Young readers who enjoy coming-of-age and secret-love themes; easy to relate to.
- Readers who prefer delicate psychological description and slow-burn emotional arcs.
- Novel readers interested in companion-style relationships and the theme of self-discovery.
- Students and office workers who want to read an emotional story in fragmented time.
Not a good fit for
- Readers who prefer strong plots, fast pacing, or suspenseful conflict.
- Readers indifferent to coming-of-age secret-love themes who seek depth in realistic fiction.
- Readers expecting grand social issues or complex worldbuilding.
Reading tips
- Read in chapter order and note the clues to emotional shifts from Qieqie's perspective.
- As you read, pay attention to the "lifeline" motif in the two characters' relationship and reflect on the meaning of companionship.
- You may pause after each chapter to consider the characters' choices in hardship.
- For a book club, discussion could center on "neither is the other's cure."
About the publisher
Sichuan Literature and Art Publishing House is a professional literary and art publishing institution. It mainly publishes books on contemporary and modern literature, foreign literature, poetry and prose, music and art, and literary theory. Judging from the books in the database, the house places considerable emphasis on classic works and foreign literature. Representative titles include Lu Xun's Call to Arms and Dawn Blossoms Plucked at Dusk, Lao She's Camel Xiangzi, Xiao Hong's The Story of Hulan River, J.R.R. Tolkien's The Hobbit, William Shakespeare's Hamlet, and Hermann Hesse's Siddhartha. Its translator resources include Deng Jiawan, Shi Zhongge, Du Yunci, and Zhu Shenghao. Common categories include social fiction, classic works, foreign literature, world classics, literary appreciation, and classical poetry, reflecting a publishing profile that balances Chinese and foreign literary classics with literary appreciation.
Contents
- 版权信息
- 01 探望这件小事
- 02 温其如玉
- 03 校花与乔
- 04 噩梦的开端
- 05 突生异变
- 06 老冰棍儿
- 07 听见心跳
- 08 蝉鸣与嘶吼
- 09 遇旧不识
- 10 做志愿者
- 11 非他所能及
- 12 真实的他
- 13 相思红豆
- 14 再不吃苹果
- 15 你有资格吗
- 16 他是个好人
- 17 忘掉过去
- 18 轰轰烈烈
- 19 性情中人
- 20 童话故事
- 21 透彻现实
- 22 万把块
- 23 相忘江湖
- 24 度蜜月
- 25 两副面孔
- 26 你忘记了
- 27 我想要你
- 28 那女人好酷
- 后记
FAQ
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About the author
Li Yonghe is an author about whom limited public information is available. Three works are currently known, namely Qiao He, The Mirror in the Attic, and Yi Chai Lu. Judging from the common categories, the writings span youth literature, social fiction, and war and military themes, indicating a fairly broad range. Youth literature may focus on coming-of-age experiences and emotional writing, social fiction may address real-life circumstances and the fate of characters, while war and military themes often involve historical backgrounds and collective experience. The coexistence of these three directions under one author suggests that Li's writing is not confined to a single track. As the dates of birth and death, nationality, and English name are not clearly recorded, the present introduction can only sketch the author's writing profile based on the works; more biographical details remain to be supplied. Overall, Li Yonghe's output is limited in quantity yet crosses several subject areas, and is best observed through the differences in subject matter and narrative orientation, while the writing style and specific influence still await further discussion by readers and researchers.
