The Beggar Knight
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers new to Zheng Zhengyin's work who want to start from the series' opening
- Readers who enjoy traditional revenge wuxia and value crisp plot advancement
- Readers interested in the blend of chivalry and case fiction in Republican-era old-school wuxia
- Series-minded readers planning to read "Beggar Knight" and its sequel in succession
Not a good fit for
- Readers accustomed to strong psychological description and complex worldbuilding in modern genre fiction
- Readers who find semi-classical narration and old-style jianghu terminology alienating
- Readers who want a complete ending in one volume and do not wish to pursue a sequel
Reading tips
- The opening bloody case at the Fengji Ranch is the origin of the book's grievances; read it closely to remember the character relationships.
- When you reach the point where Wu Yong and Han Hu are silenced, pause briefly and note how the mysterious figure's thread is left blank.
- Read the Zhao Shanglian father-and-son case as an independent section and appreciate the narrative function of the knight-errant intervening in an unjust case.
- Read the sequel immediately after this book to feel more fully the pacing of the pursuit thread.
Contents
- 版权信息
- 第一章 悲歌铁笛 渤海访仇踪
- 第二章 酒醉松林 暴徒施辣手
- 第三章 任侠招祸 牧场化劫灰
- 第四章 义拯孤雏 宁安侦盗迹
- 第五章 巧获二凶 杀人先灭口
- 第六章 双侠夜会 配所救忠良
FAQ
What is the relationship between this book and the sequel? Must I read both?
What are the main things Wu Zhenfei does in this book?
What is the function of the mysterious figure's silencing of the captives?
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About the author
Zheng Zhengyin (1900–1960), originally named Zheng Rupei and a native of Tianjin, was one of the "Five Masters of the Northern School" of old-style martial arts fiction in the Republican era. In his early years he studied Taijiquan under Xu Yusheng and was skilled with the nine-ring broadsword; he also served as martial-arts adviser to Bai Yu and ghostwrote the latter's Mu Ye Xiong Feng. From 1937 he devoted himself to writing wuxia fiction. His representative work is The Eagle-Claw King (Yingzhua Wang), in twenty-two volumes, and he also wrote the "Iron Lion King" series and Bashan Swordsman. Over his lifetime he produced more than eighty wuxia novels and was known as a writer of the "secret-society and martial-arts school." His works focus on sect and gang conflicts and on combat techniques, with meticulous attention to martial-arts moves, forming a distinctive path within Republican-era wuxia and influencing later writers of the genre.