Not an Illusion
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers of literature and art interested in cross-disciplinary fusion of modern poetry and painting
- Readers who wish to experience reflections on life and existence from a distinctive female perspective
- Thinkers who enjoy actively constructing meaning while reading and savor open texts
- Artists, especially poets or painters seeking dialogue between different media of expression
Not a good fit for
- Readers looking for a clear storyline or the pleasures of traditional narrative
- Those with little patience for or basic interest in abstract art and experimental texts
Reading tips
- Read through the poetry first to build an initial sense of the imagery, then view the paintings alongside it to experience the echoes or contrasts between text and image.
- Try setting aside the expectation of "illustration" and treat poems and paintings as two parallel systems of expression, appreciating their independent artistic value and the new meanings generated by their juxtaposition.
- The book leaves much space and silence; it is suited to quiet, solitary reading, with pen at hand to record personal associations and impressions as they arise.
About the publisher
Guangxi Normal University Press is a publisher known for literature, foreign literature and history titles. Its 1,175 books in the database show a solid accumulation in classics and prose collections, including foreign literary works such as Les Fleurs du mal: Annotated Poems of Baudelaire, Snow Country, Dubliners and The Wild Palms, as well as modern prose compilations like The Complete Prose of Zhou Zuoren. History and philosophy also hold a notable share, with titles such as Running Dogs: Clerks and Runners in Qing County Yamen and The History and Thought of the Taiping Heavenly Kingdom reflecting attention to Qing local administration and modern history. In art literature there is the 16-volume Ten Bamboo Studio Painting and Calligraphy Manual. Its author resources include foreign writers Charles Baudelaire and Yasunari Kawabata, translators and annotators Liu Nanqi and Zou Bo, and scholars such as Zhong Shuhe, Bradly W. Reed and You Chenjun. As public information is limited, this characterization is based only on the books in the database, which together present a profile balancing Chinese and foreign literary classics with academic works in the humanities and social sciences.
Contents
- 版权信息
- 第一辑 鸣啭之灵
- 被宠爱的孩子
- 仿佛爱
- 美好
- 贵客
- 如果别人没听见
- 为我为之
- 愿望
- 鸟儿要用多少种方式飞
- 头顶上空
- 生动和幸福
- 失眠的空洞
- 大笼子
- 洗澡
- 万类的幸福
- 良辰美景的戏台
- 愚人节
- 那只白鸟
- 鸣啭的曲线在变化
- 我的心不宁
- 黄灿灿的抽屉
- 一个早晨
- 理所当然
- 忽然孤单
- 喜鹊叫
- 依靠
- 大的原因
- 发言
- 陶然
- 鸟儿怎么以为
- 提醒
- 小窝儿
- 黄昏
- 搬移
- 小刀子
- 棱镜
- 鸟儿一飞走就像是永别
- 闷着的罐子
- 为何呢
- 舞台
- 江山
- 烟尘里
- 世物
- 我无法看到
- 钻石
- 黑暗是大妈妈
- 树冠
- 风没有形状
- 宝贝
- 看树
- 它俩
- 欢愉
- 黑鸟
- 一致
- 晨曲
- 维持
- 感激
- 幸福
- 月亮
- 河岸
- 隐秘
- 构成
- 不寻常的大鸟
- 一只鸟儿在笑
- 数叶子
- 第二辑 至亲的关系
- 正午
- 璞玉
- 瓷瓶
- 廊桥
- 半月里
- 祠堂
- 迷途的羊
- 台风将临
- 海难者的母亲
- 海堤
- 海滩上的一只狗
- 凝望一棵树
- 遭难
- 乌云
- 家园
- 孤独
- 独舞
- 不是滋味
- 世界的心隐隐地疼
- 患者
- 据说
- 平安地带
- 像睡着的世界
- 一块废墟
- 风干预不了
- 问题
- 因为有醒
- 音乐弥漫
- 有一种冷酷和冷静也坚定不移
- 那束白花
- 繁星呈现
- 硬道理
- 坡上的桃花
- 异常的方向
- 奇迹
- 两个海
- 最后
- 保护
- 雨越下越大
- 难道宁静要耗掉所有
- 荒野
- 黑夜旅途
- 刻在墓石上的名字
- 元旦日
- 在飞机里观日出
- 想起你的出生
- 永恒
- 至亲的关系
- 你的远在指导着我——致我的母亲
- 风暴角
- 第三辑 不是虚幻
- 不是虚幻(长诗)
- 后记
FAQ
Is this book a poetry collection or an art album?
What is the author Yi Lu's creative background?
Does reading this book require a foundation in art appreciation?
Comments
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About the author
Yi Lu is a poet about whom limited public information is available. To date, only one work by this author is known, Buzhi Xuhuan (Not Illusory), which is generally classified as modern poetry. The existence of this work and its categorization suggest that Yi Lu's writing belongs to the broad tradition of contemporary Chinese poetry, though the character of that poetry can only be grasped through this single entry. Because information such as dates of birth and death, nationality, educational background, and writing career is not clearly recorded, specific biographical details cannot be confirmed and should not be speculated upon. What can be confirmed is that Yi Lu's primary direction is modern poetry, and that only one work appears in the available materials, which considerably limits any judgment about the author's overall style and stages of writing. Understanding of Yi Lu therefore currently rests mainly on the textual clue provided by Not Illusory; a fuller picture of the poet and the trajectory of the writing awaits further public information and related research.