The Saṃmitīya School
Tags
Summary
Editor's review
Who it's for
A good fit for
- Scholars studying the 'self' and 'no-self' questions in sectarian Buddhism
- Buddhist readers practicing Abhidharma and concerned with arguments about the subject of rebirth
- Graduate students in religious studies using it as material for thematic study
- Advanced readers interested in the methods of Buddhist doctrinal debate
Not a good fit for
- Readers new to Buddhist doctrine who lack basic terminology
- General readers hoping for an easy story-form introduction to the idea of rebirth
- Skimmers unwilling to examine argumentative logic and seeking quick conclusions
Reading tips
- Read the table of contents and conclusions first to grasp the book's argumentative framework and core questions.
- Keep a Buddhist dictionary at hand; when encountering terms such as 'intermediate existence,' 'aggregates,' and 'self,' look up definitions before reading on.
- Read closely in sections following the order of rebirth in the realm of desire, the realm of form, and intermediate existence, taking notes on the argument structure.
- Read alongside relevant chapters on the history of sectarian Buddhism to understand the background and divergences of the various schools' differing doctrines.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 卷上
- 卷中
- 卷下
FAQ
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.