Ten Thousand Ships Fill the Goblets
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Summary
Editor's review
In content, the book is not a strictly academic work but closer to cultural prose or historical sketches. The pen name 'Zuiliaoweng' signals the author's stance—that of a detached, slightly tipsy observer—attempting to connect personalized readings of traditional Chinese culture and historical episodes through wine culture, poetic allusions, and historical anecdotes. This approach gives the work both informative and entertaining qualities along with a certain intellectual depth, making it suitable as leisure reading on culture.
The book's value lies in offering a relatively relaxed entry point into the world of traditional culture. It does not pursue systematic rigor but instead uses vivid historical scenes, character stories, or cultural symbols to spark readers' interest in and resonance with history. For readers who want to learn about history and culture but are intimidated by heavy academic works, the essay style lowers the barrier to entry. At the same time, the personal reflections and associations woven into the narrative offer a reading experience different from standard historical accounts.
However, it should be noted that the quality of such works depends heavily on the author's knowledge base, writing skill, and originality of insight. Judging from available information, Wan Ge Ying Zun leans toward popular general reading, and its depth may not satisfy professional researchers or readers with demanding requirements for factual verification. But for general readers seeking reading pleasure and hoping to feel the charm of traditional culture and the warmth of history between the lines, it is a choice worth considering.
Who it's for
A good fit for
- Beginner readers interested in Chinese history and culture who prefer an easy reading style
- Literature lovers who enjoy savoring traditional culture through prose essays
- Office workers or commuters who want nourishing reading in fragmented time
- Readers curious about historical anecdotes, wine culture, and literary allusions
Not a good fit for
- Professional researchers or students seeking rigorous academic verification and in-depth historical analysis
- Readers expecting systematic, chronological introductions to historical knowledge
Reading tips
- Read in a relaxed mood; there is no need to finish in one go—feel free to jump between pieces.
- Keep a cup of tea nearby while reading and engage with the cultural imagery mentioned in the book to become more immersed.
- If a historical episode or figure in the book sparks your interest, use it as a thread for further reading.
About the publisher
Jilin Literature and History Publishing House is a professional publisher specializing in literature, history, and social science titles, with publishing areas covering culture, theory, historical reading, military affairs, classical poetry, and medicine. Its list includes historical and military works such as National History 001: The Tragedy of the Southern Ming and Naval Battles 006: The Russian Navy before and after the Russo-Japanese War, as well as the "Chinese Culture Knowledge Reader" series, which covers Sun Tzu and military thought, ancient tea ware and Zisha art, Song Huizong Zhao Ji's contributions to painting, the Book of Songs, and Hai Rui. Medical works such as How a Famous Doctor Diagnoses Patients are also represented. Authors include Jin Kaicheng, Yang Liang, Zha Youyin, Luo Dalun, Zhiwen Fenghuo Studio, and Theodore Dodge. The press combines the popularization of literary and historical knowledge with focused research, forming a publishing profile centered on traditional culture readers and balancing academic and general reading.
Contents
- 版权信息
- 万舸盈樽
- 第一部 雏龙记
- 第一章 祸起竖宦——神秘人义惊四座
- 第二章 贪心作祟——老渔翁饵心钓利
- 第三章 生死两难——溢香亭魂惊梦醒
- 第四章 患难与共——八角楼铁窗夜语
- 第五章 疯狂计划——颜思齐虎口窃玉
- 第六章 舌尖政治——煨蹄宪投石问路
- 第七章 奴性难改——许官爷一掷千金
- 第八章 黄金搭档——两囚徒戏演双簧
- 第九章 神秘船长——葫芦头窃语私议
- 第十章 反攻倒算——魏忠贤引君入瓮
- 第十一章 密室传语——紫衣女预事先知
- 第十二章 笑语空杯——三兄弟煮酒论事
- 第十三章 蛟龙出海——郑芝龙醉剪摧花
- 第十四章 伏龙石舫——癞头蛟智取徐吉
- 第十五章 醉生梦死——郑芝龙意冷心灰
- 第十六章 圣灵约定——阿拉木续丝接藕
- 第十七章 鼠尾谶语——饿死鬼一尸两命
- 第十八章 易学真经——醉蟹翁许愿授徒
- 第十九章 建文旧臣——腋下文揭秘真身
- 第二十章 冤家聚头——郑芝龙勇战群鲨
- 第二部 潜龙记
- 第二十一章 潜龙勿用——悍甘辉忍辱保帅
- 第二十二章 蛟龙复生——李熹媛诈尸戏父
- 第二十三章 牧羊之志——李船王去蛆俭食
- 第二十四章 自投罗网——郑芝龙三戏蛟龙
- 第二十五章 香烬情留——不思量兀自难忘
- 第二十六章 悬灯引舟——白头翁金枪立崖
- 第二十七章 千金散尽——曲半仙儿真身难隐
- 第二十八章 海岛之夜——足下鬼披头掩面
- 第二十九章 饥渴难耐——李魁奇死守涸崖
- 第三十章 旱逢甘露——活干尸极限跳水
- 第三十一章 满城风雨——光头六折花刺手
- 第三十二章 各得其所——阿拉木成功斡旋
- 第三十三章 亡羊拆牢——郑芝龙借力裂石
- 第三十四章 墓光鬼影——神龙见尾不见首
- 第三十五章 百舸同贺——颜思齐大宴群英
- 第三十六章 繁华不再——郑芝龙语戏蛮族
- 第三十七章 蝶逝情断——有情人遨游龙宫
- 第三十八章 身陷孤岛——郑芝龙勇斗棕熊
- 第三十九章 危机四伏——狼狐配情比金坚
- 第四十章 施计凝心——郑芝龙葬身火海
FAQ
Is this book a novel or a history book?
Do I need deep historical knowledge to understand it?
What is the background of the author 'Zuiliaoweng'?
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About the author
Zui Liaoweng is an author included in the Chinese book database, but publicly available information about him is currently limited: his real name, nationality, dates of birth and death, and English name are not clearly recorded. The database holds one work by him, the social novel Wan Ge Ying Zun. Judging from this single title, Zui Liaoweng writes in the category of social fiction, with subject matter pointing toward human relations and collective circumstances in real society; the pen name itself carries a note of open-minded ease. Because there is no biographical material, chronology of works, or evidence from other writings, it is difficult to sketch a complete trajectory of his writing or to judge where Wan Ge Ying Zun stands in his career. Readers who wish to learn about this author can for now only begin with the text of Wan Ge Ying Zun and, through its narrative and character portrayals, sense his angle of social observation and his style of expression.
