The Beauty of All Things cover

The Beauty of All Things

Rating 3.5
Word count
73K words
Chapters
140
ISBN
9787556124770

Tags

Summary

This book reproduces over a hundred color plates of flora and fauna from Illustrated Names and Objects of the Book of Songs, drawn by the Japanese Edo-period Confucian scholar Hosoi Shu. Accompanying each plate are notes on the habits and characteristics of the species, alongside the original text of more than a hundred corresponding poems from the Book of Songs, with detailed introductions, annotations, and commentary. Both informative and literary, the volume pairs artistic appreciation with classical study, offering readers a fresh way to read and learn the Book of Songs.

Editor's review

The Beauty of All Things is not a conventional work of popular science or a collection of essays; it is more like a poetic intellectual ramble initiated by a physicist. With a rare cross-disciplinary vision, Professor Wang Yuan deftly stitches together cutting-edge discoveries in high-energy physics and humanity's ancient aesthetic experience. What is most striking about the book is not its accessible explanation of the daunting concept of a "theory of everything," but the philosophical question the author pursues throughout: as science reveals the ultimate laws of the universe, how does it reshape our understanding of "beauty"? From the "spooky action" of quantum entanglement to the grand narrative of galactic structure, Professor Wang guides readers to see not only the simplicity and harmony of physical laws but also a thrilling, solemn beauty that lies deep within mathematical equations and experimental data. This beauty shares a kinship with the realm pursued in artistic creation. For readers eager to expand the frontiers of their understanding, the book offers a unique path where reason and sensibility intertwine. It does not promise all the answers, but it generously opens more windows onto ultimate questions.

Who it's for

A good fit for

  • Cross-disciplinary thinkers with a strong interest in the intersection of physics and philosophy
  • Readers who wish to break down the barrier between the sciences and the humanities and discover humanistic meaning in science
  • Readers who appreciate clear, elegant, and literary science writing
  • Explorers with a lasting curiosity about grand questions such as the universe and the nature of life

Not a good fit for

  • Readers seeking quick-fix popular science or fragmented knowledge
  • Professional researchers expecting rigorous academic argumentation or technical detail

Reading tips

  1. Read in a relaxed frame of mind, following the author's train of thought without rushing to grasp every physics concept at once
  2. Pause whenever you like to associate and reflect, drawing on your own observations of nature and art
  3. Read alongside works on the history or philosophy of science to deepen your understanding of some of the book's ideas

About the publisher

Hunan People's Publishing House China · Founded in 1951

Hunan People's Publishing House is a publisher known for its strengths in the humanities and social sciences and in translated classic works. Its catalog covers biography, Eastern philosophy, philosophical reading, social fiction, classics, and essays, with a particular focus on introducing major foreign works of thought and literary classics. Representative titles include Stefan Zweig's Decisive Moments in History and The Struggle with the Daemon: Hölderlin, Kleist, Nietzsche, Albert Camus's The Myth of Sisyphus, Bertrand Russell's The Conquest of Happiness, and Seneca's On the Shortness of Life, alongside multiple volumes of selected fiction by Shen Congwen. Among the translators and authors represented are Liang Xijiang, Yuan Xiaoyi, Yi Siting, Pan Lu, and Ren Guoqiang. Beyond the 142 titles in this catalog, public information is limited, so no further publishing details are given here.

Contents

  1. 版权信息
  2. 第一卷 草植
  3. 荇菜
  4. 菅/白茅
  5. 葑/荼/荠
  6. 薁/葵
  7. 苹/蒿/芩
  8. 葛
  9. 芣苢
  10. 卷耳
  11. 蒌
  12. 蘩
  13. 蕨/薇
  14. 藻/蘋
  15. 蒹/葭
  16. 蓬/谖
  17. 匏
  18. 苓
  19. 麦
  20. 蝱
  21. 绿竹
  22. 芄兰
  23. 黍/稷
  24. 蓷
  25. 艾
  26. 麻
  27. 荷华/游龙
  28. 茹藘
  29. 蕑
  30. 勺药
  31. 莠
  32. 蔹
  33. 荍
  34. 旨苕/鹝
  35. 蓍
  36. 果臝
  37. 莱
  38. 莪
  39. 蓫
  40. 莞
  41. 蓼
  42. 蔚
  43. 茑/女萝
  44. 芹
  45. 茆
  46. 堇
  47. 荏菽
  48. 笋
  49. 稌
  50. 第二卷 树木
  51. 桃
  52. 枢/榆
  53. 唐棣/李
  54. 柽
  55. 驳/棣
  56. 楚
  57. 甘棠
  58. 梅
  59. 棘
  60. 榛
  61. 栗
  62. 椅
  63. 桐
  64. 梓
  65. 漆
  66. 桧
  67. 松
  68. 木瓜
  69. 蒲
  70. 檀
  71. 舜
  72. 柳
  73. 杻
  74. 椒
  75. 杨
  76. 梅
  77. 杞
  78. 枸
  79. 榖
  80. 柞
  81. 梧桐
  82. 第三卷 鸟禽
  83. 雎鸠
  84. 黄鸟
  85. 仓庚/鹳
  86. 鷮
  87. 鹊
  88. 鸠
  89. 鸣鸠
  90. 雀
  91. 燕
  92. 雉
  93. 雁
  94. 流离
  95. 凫
  96. 晨风
  97. 鸱鸮
  98. 鹭
  99. 鶪
  100. 脊令
  101. 翚
  102. 桑扈
  103. 鸳鸯
  104. 鹥
  105. 桃虫
  106. 第四卷 走兽
  107. 麇/尨
  108. 兕
  109. 鹿
  110. 豝
  111. 熊
  112. 豺
  113. 猱
  114. 猫
  115. 貉/狸
  116. 第五卷 鱼及其他
  117. 鳢/鰋
  118. 龟
  119. 鲤
  120. 台
  121. 鳖
  122. 贝
  123. 鼍
  124. 鲦
  125. 第六卷 昆虫
  126. 螽斯
  127. 草虫
  128. 蝤蛴/螓/蛾
  129. 苍蝇
  130. 蟋蟀
  131. 蜉蝣
  132. 蜩
  133. 莎鸡
  134. 蚕
  135. 蜾蠃
  136. 蜮
  137. 螟/螣/蟊
  138. 虿
  139. 伊威/蟏蛸/宵行
  140. 编后记

FAQ

Can I understand this book without a physics background?
The author has kept general readers fully in mind, using abundant metaphors and analogies from everyday experience to explain complex concepts. The real prerequisite is not mathematical or physics knowledge but a willingness to be patient and follow the author through a deep thought experiment.
How is this book different from ordinary popular science?
It goes beyond the mere transmission of knowledge, focusing instead on the ontological and aesthetic reflections prompted by scientific discovery. Its emphasis is not on "what it is" but on "what it means" and "why it is awe-inspiring."
Are the views presented in the book the mainstream consensus in the scientific community?
The physics facts and theoretical frameworks introduced in the book are recognized by the scientific community. The philosophical and aesthetic interpretations extended from them represent more the author's own insightful reflections and perceptions, and this is precisely where the book's unique value lies.

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About the author

王远 Author

Public information about Wang Yuan is limited, and his nationality, dates of birth and death, and educational background cannot currently be confirmed. Judging from the three works held in the library, however, his writing spans finance and economics, culture, and management, showing a fairly broad range of interests. Investment-Led Economic Growth: Structure, Efficiency and Transformation Paths focuses on macroeconomic performance and the shift in growth models, displaying a clear awareness of real-world problems; The Beauty of All Things turns to cultural aesthetics in a more relaxed tone; and There Are No Unsellable Products, Only Sellers Who Cannot Sell addresses sales practice and business methods for working professionals. Though the subjects differ widely, all three books share an approach that explains specialized issues clearly and stays close to the reader. Based on the available material, Wang Yuan comes across as an author who balances theory with practice, discussing topics through structure, efficiency, and operational detail. His works should appeal to general readers interested in economic transformation, cultural taste, and sales management.

细井徇 Author

Public information about Hosoi Jun's life and nationality is limited, and his profile emerges mainly from the ten works held in the collection. These works center on the natural and material subjects named in ancient Chinese classics such as the Book of Songs and the Classic of Mountains and Seas, combining illustrated color plates of plants, birds, beasts, fish, insects, artifacts, architecture, and folk customs with traditional annotation and translation. They also encompass literary appreciation and cultural popularization. Representative works include An Illustrated Guide to the Flora and Fauna of the Book of Songs, Everything Has a Spirit: Plants, Birds, Beasts, Fish, and Insects in the Book of Songs, and the illustrated collector's edition of the annotated Book of Songs, along with color-plate compilations on rare ancient species, folk life, and ancient architecture and customs. His editorial and illustrative approach emphasizes mutual verification between image and text, restoring named things from the classics into recognizable visual forms that are both artistically appealing and informative, offering readers an intuitive path to understanding ancient views of nature and daily life and giving his work a distinctive place among illustrated books on traditional culture.

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