The Seven Killings Stele 3
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers following Zhu Zhenmu's wuxia series who want to understand the seven heroes' story in order
- Readers who love old-school wuxia ensemble drama and enjoy scenes of Jianghu loyalty and battles of wits
- Readers interested in the combination of late-Ming southern Sichuan regional background and wuxia
- Readers accustomed to serialized narration and able to accept old-fashioned language rhythms
Not a good fit for
- Readers expecting each volume to stand alone and unwilling to rely on earlier books' background
- Readers who prefer modern narrative pacing and concise vernacular Chinese
- Readers resistant to pronounced partisan historical depictions in fiction
Reading tips
- Read in series order; first learn how each of the seven heroes appears, then read this volume for clearer character motivation.
- Read each chapter as a complete segment and note the division of labor and cooperation as the seven take turns appearing.
- After finishing, review the passages about the Seven Killings Stele and sort out the clues of the escalating confrontation.
- Readers unused to old-fashioned language can read one or two chapters at a fixed time each day to gradually enter the tone.
Contents
- 作者简介
- 第十三章 铁拐婆婆
- 第十四章 秃尾鱼鹰的血债
- 第十五章 拉萨宫
- 第十六章 活僵尸
- 第十七章 大佛头上请客
FAQ
What is the relationship between this book and Volume 4?
Are the seven heroes all fictional characters?
Do I need to know late-Ming history before reading this?
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About the author
Zhu Zhenmu (1895–1955), originally named Zhu Zhenyuan and styled Shizhuan, was a native of Shaoxing, Zhejiang, and a modern Chinese wuxia novelist who was also skilled in painting and seal carving. He is grouped with Huanzhulouzhu, Bai Yu, Zheng Zhengyin and Wang Dulu as the "Five Masters of the Northern School." His wuxia fiction draws on a variety of subjects, often weaving together feuds of the jianghu, exotic romances and frontier customs into intricate plots with vivid characters. Thirty-one of his works are held in the collection, including such representative titles as Hu Xiao Long Yin, Qi Sha Bei, Miaojiang Fengyun and Yulong Gang. Hailed as the "forefather of the new-school wuxia novel," he exerted a profound influence on later wuxia writing. He died in Tianjin in the winter of 1955 from asthma complicated by heart disease.