Witch Stories cover

Witch Stories

Rating 2.6
Word count
742K words
Chapters
75

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Witch Stories by E. Lynn LintonAuthor: Linton, E. Lynn (Elizabeth Lynn), 1822-1898,Language: English, Class: BF: Philosophy, Psychology, Religion: Psychology, Philosophy, Psychoanalysis, Release Date: Apr 29, 2010

Editor's review

Witch Stories is a collection of witchcraft tales compiled by the nineteenth-century English writer Elizabeth Lynn Linton and classified under philosophy, psychology, and religion, indicating that it is not mere fiction for entertainment but a compilation with elements of folklore record and intellectual history. Linton herself was a prolific Victorian novelist and reviewer, which gives the book both literary quality and period bias in its selection of materials and narrative tone. Its value for readers lies mainly in two aspects: first, as a textual sample of witchcraft legends and witch-hunt memory, it shows how nineteenth-century people organized, retold, and judged such stories; second, as material for the history of social ideas, it reveals contemporary writers' attitudes toward superstition, women, and rural society. The narration carries clear period positions and should not be taken as a neutral anthropological work. It suits readers interested in folklore, the Gothic tradition, and Victorian culture, and also serves as supplementary reading for understanding how witch-hunt narratives were retold by later generations. Read it with a critical eye, distinguishing the stories from the narrator's commentary.

Who it's for

A good fit for

  • Readers interested in witchcraft legends, witch-hunt history, and folklore narratives
  • Students and enthusiasts studying Victorian literature and cultural ideas
  • Readers seeking English public-domain texts on Gothic and supernatural themes

Not a good fit for

  • Professional researchers expecting rigorous contemporary folklore scholarship and annotation
  • Casual readers wanting only thrilling, fast-paced horror stories
  • Readers intolerant of old-fashioned English style and period-biased narration

Reading tips

  1. Begin with the preface and chapter arrangement to determine which parts are retold stories and which are the author's commentary, then read them separately.
  2. Mark the narrator's judgmental statements as you read, distinguishing the legends themselves from the nineteenth-century interpretive framework.
  3. Read alongside a general history of witch hunts to avoid mistaking the book's period biases for historical fact.
  4. Prioritize chapters related to women and rural trials, where the themes are more concentrated.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74
  75. 75

FAQ

Are the stories in this book records of real events?
They cannot simply be taken as factual records. This is a collection of witchcraft tales compiled by a nineteenth-century author, with varied sources and modes of retelling, mixed with the author's own commentary and period judgments. Readers should separate the story content from the narrator's explanations; for historical facts, consult scholarly histories of witch hunts with source verification.
Why is it classified under philosophy and psychology?
According to Project Gutenberg's classification information, the book belongs to the broad category of philosophy, psychology, and religion, indicating that its content is regarded as related to belief systems, psychological phenomena, and supernatural cognition rather than pure literature. This also reminds readers that the book discusses not only the stories themselves but also contemporary ways of understanding superstition and mental phenomena.
How difficult is the English, and is it suitable for non-native readers?
The original is in English, written in the nineteenth century, with long sentences, archaic vocabulary, and commentary interspersed in the narration. Intermediate and above readers can read it with a dictionary; beginners are advised to select short chapters or familiarize themselves with the witch-hunt background first, so as not to be slowed by the old-fashioned style and dense allusions.

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About the author

Eliza Lynn Linton Author · British · 1822–1898

Eliza Lynn Linton (1822–1898) was an English novelist, essayist and journalist of the Victorian era. She is said to have been the first salaried female journalist in Britain, and over her lifetime she wrote more than twenty novels. Five of her works are held here, including the two volumes of The Girl of the Period, and Other Social Essays, About Ireland, Modern Women and What is Said of Them, and Witch Stories, spanning social commentary, women's issues and folklore. Her social essays, most notably The Girl of the Period, are known for their sharp style and fierce criticism of early feminism, and exerted a notable influence on Victorian public opinion. Public information is limited, so her biographical details are not elaborated here.

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