Witch-Burning
Tags
Summary
Editor's review
Who it's for
A good fit for
- Learners who want to practice reading rhythm with short English fiction
- Readers interested in Gothic, weird-tale, and pulp magazine styles
- Writing practitioners who need short texts for narrative analysis
Not a good fit for
- Readers seeking serious historical research or scholarship on the history of witchcraft
- Readers who prefer long works with complex world-building
Reading tips
- Read it through in one sitting first, then look back at how the opening foreshadowing echoes the ending's twist.
- On a second reading, note in English sentences that build atmosphere or shift perspective, for short-story analysis.
- Compare with other public-domain Gothic short stories to compare methods of building suspense.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Mary Elizabeth Counselman (1911–1995) was an American writer of science fiction and fantasy whose work appeared mainly in the pulp magazines of the mid-twentieth century. One of her works is held in this collection, Witch-Burning. Public information about her life and writing is limited, and the available material centers on her identity as a writer and the outlets where her work was published. She was active during the heyday of the pulp magazines, writing in science fiction and fantasy in a style suited to the tastes of genre readers of the time, often in short forms published in mass-market periodicals. Although a full picture of her life and work is not widely known today, she belongs to the group of writers who published in genre magazines of that era, and her writing forms part of the mid-twentieth-century American popular literary scene, offering some reference value for the study of science fiction and fantasy short fiction of the period.