Whistler
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Summary
Editor's review
Who it's for
A good fit for
- General readers interested in Western painting history who want an initial understanding of Whistler
- Art or English majors who need English art-critical material for reading practice
- Ebook users who want short art essays for commutes or spare moments
Not a good fit for
- Readers expecting a systematic art history textbook or a detailed chronicle-style biography
- Beginners who are not used to reading English and need a Chinese translation
Reading tips
- Look at images of Whistler's representative paintings before reading the commentary to form an intuitive impression
- Read in sections by chapter, noting one or two key points or questions after each section
- Compare with a contemporary art history work and note differences between early criticism and current scholarship
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
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About the author
T. Martin Wood (1875–1919) was a British journalist and art critic. Public information about him is limited, and little of his life is documented; his main contribution lies in his art writing. He worked for a long time for the British art magazine The Studio, through which he wrote several monographs on painters, including Whistler, Sargent, Rossetti, Burne-Jones and George Du Maurier. These works combine criticism with biography, are addressed to general readers, and seek to explain each painter’s artistic qualities within the context of the age rather than to offer abstruse academic scholarship. His aim was to promote Victorian and modern art to a broad public, making these painters more accessible to readers of his time. Four of his works are held in this collection—Sargent, Drawings of Rossetti, George Du Maurier, the Satirist of the Victorians and Whistler—which broadly reflect the painters he focused on and the direction of his writing.
