Well, After All--
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers who want free English public-domain fiction
- English literature students using it for outside reading
- Readers interested in late Victorian British social fiction
- Readers used to reading English originals on e-readers
Not a good fit for
- Readers who want a Chinese translation and are not comfortable with English
- Researchers needing detailed annotation and scholarly introduction
- Contemporary fiction readers who prefer strong plots and fast pacing
Reading tips
- Read the first two chapters to see whether the pace and language level suit you before committing to the whole book.
- Keep an English dictionary or electronic lookup tool at hand, and mark unusual expressions and period usage as you go.
- Pull out passages of dialogue and compare them to observe differences in wording across social classes.
- If using it for a course, read alongside background material on late Victorian British society.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Frank Frankfort Moore (1855–1931) was a British writer active from the late nineteenth to the early twentieth century. Twenty-two of his works are held in this collection, though public information about him is limited. Judging from representative titles such as The Jessamy Bride and A Georgian Pageant, he often set his fiction against English history and upper-class society, weaving real figures into invented plots with a light, dramatic touch. Books like Daireen and Priscilla and Charybdis show his interest in love, marriage, and difficult choices. His range also extends to social manners and philosophical fantasy, as seen in the speculative tone of According to Plato and The Other World. Stylistically, Moore emphasized narrative appeal and dialogue, suiting the serial and popular reading of his day and offering a useful glimpse of late Victorian and Edwardian popular fiction.