We Two: A Novel cover

We Two: A Novel

Rating 3.0
Word count
947K words
Chapters
95

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971, and his memory continues to inspire the creation of eBooks and related technologies today. We Two: A Novel by Edna Lyall. Author: Lyall, Edna, 1857-1903. Language: English. Class: PR: Language and Literatures: English literature. Release Date: Dec 1, 1999.

Editor's review

We Two is a novel by Edna Lyall and belongs to late Victorian English literature's works that focus on human relationships and moral dilemmas. Judging from the available materials, it is suitable as supplementary reading for understanding the landscape of late nineteenth-century British fiction rather than as a popular story seeking strong dramatic conflict. The title suggests the central place of a two-person relationship; while reading, note the emotional tensions between characters, the constraints social norms place on personal choice, and how the narrator arranges dialogue and scenes to advance the theme. The Project Gutenberg edition is freely accessible and suitable for literature students or enthusiasts of English fiction as extensive reading material, and also for observing common techniques of the period in plot organization, characterization, and moral commentary. Given the limited materials, readers are advised to rely primarily on the text itself and not to assume a correspondence between the author's life and the work.

Who it's for

A good fit for

  • Literature enthusiasts interested in late Victorian English fiction
  • English majors using it as extensive or background reading
  • Readers interested in themes of human relationships and moral dilemmas
  • Readers who need a free electronic text for close reading

Not a good fit for

  • Readers seeking fast-paced plots and strong suspense
  • Readers hoping for abundant action scenes or fantasy settings

Reading tips

  1. Read the opening chapters first to gauge the narrative pace and character relationships before deciding whether to read the whole book.
  2. While reading, note changes in the main characters' positions and how dialogue reveals personality and conflict.
  3. Read alongside background material on late nineteenth-century British society to help understand the constraints on characters' choices.
  4. If used for coursework, summarize chapter by chapter to make it easier to locate specific passages during discussion

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74
  75. 75
  76. 76
  77. 77
  78. 78
  79. 79
  80. 80
  81. 81
  82. 82
  83. 83
  84. 84
  85. 85
  86. 86
  87. 87
  88. 88
  89. 89
  90. 90
  91. 91
  92. 92
  93. 93
  94. 94
  95. 95

FAQ

Is this book suitable for English beginners to read directly?
Not very suitable. Late Victorian novels often have long sentences and period-specific expressions, which can hinder English beginners in syntax and cultural background. A solid foundation in English reading is recommended, or choose an annotated edition.
Do I need to know the author's biography in advance to read this book?
Not necessarily. The available materials provide only the author's name and birth and death years, with no detailed biographical information. Focus primarily on the characters, plot, and narrative method in the text, and avoid simply mapping the author's experiences onto the novel's content.
What should I pay attention to when reading the Project Gutenberg edition?
Free electronic texts are convenient for searching and excerpting, but the layout may differ from the print edition, and page numbers are unstable. When taking notes, it is best to locate passages by chapter or paragraph; for academic writing, consult an authoritative edition.

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About the author

Edna Lyall (Lyall, Edna, 1857-1903) was a British novelist of the late nineteenth century, and six of her works are held in this collection. Public information about her is limited, and the details of her life are difficult to establish with certainty, yet her surviving works show a diligent writer with a varied range of subjects. Novels such as Wayfaring Men: A Novel, In Spite of All: A Novel and We Two: A Novel centre on the fate and emotional entanglements of their characters; Derrick Vaughan, Novelist takes a novelist as its protagonist and reflects on literary life; The Autobiography of a Slander uses personification to portray the harm of gossip with an inventive conceit; and A Hardy Norseman touches on northern temperament and exotic figures. On the whole, her writing is plain in narration and concerned with ethics and human nature, giving her a distinctive place among late Victorian popular novels and making her work useful for studying women's writing and readers' tastes of the period.

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