Track‘s End
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Summary
Editor's review
Who it's for
A good fit for
- E-readers seeking free English public-domain books
- Enthusiasts studying Project Gutenberg and digital libraries
- Self-learners needing English extensive reading material
- Readers interested in early American literary texts
Not a good fit for
- General readers who read only Chinese translations
- Beginners expecting a full introduction and annotations
- Book selectors seeking plot summaries and reviews
Reading tips
- Start with the table of contents and chapter titles to grasp the overall structure quickly before deciding which parts to read closely
- Use a dictionary or the e-reader's lookup function to lower the barrier of reading the original English
- Read a fixed number of pages each day as extensive reading; there is no need to finish it in one sitting
- After reading, note textual features in a journal for comparison with other public-domain books
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
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About the author
Hayden Carruth (1862–1932) was an American poet and editor who long served as editor-in-chief of the magazine Women's Home Companion, exercising a certain influence in periodical editing and literary dissemination of his time. Two of his works are held in the collection, Track's End and The Voyage of the Rattletrap. Because public information is limited, the details of his life and the full scope of his writing are difficult to present completely; yet the surviving works suggest that his writing centers on travel impressions and everyday narrative, in a plain and natural style that attends to scenes and details, bearing the marks of late nineteenth- and early twentieth-century American popular literature. As an editor, he accumulated rich experience with words in magazine work, and this experience informs his personal writing, giving his works a certain care in readability and narrative pace. Overall, Carruth combined the identities of editor and poet, and his works offer a sidelight on American periodical culture and popular writing of that era.