The Uttermost Farthing
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy classic Anglo-American suspense fiction
- Literary readers interested in early twentieth-century women writers
- People who need English public-domain eBooks for reading practice
- Book club members who prefer psychological suspense
Not a good fit for
- Suspense readers seeking fast-paced action and strong twists
- General readers hoping to read a Chinese translation
- Readers impatient with slow buildup and psychological description
Reading tips
- Read the opening chapters first to establish character relationships, then decide your reading pace.
- Note key clues and character doubts to help map the suspense structure.
- Read alongside short works by other early twentieth-century women suspense writers for comparison.
- If used for a book club, design discussion questions around narrative reliability.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Marie Belloc Lowndes (1868–1947) was a British novelist known for psychological suspense and crime fiction. The collection includes sixteen of her works, among them The Lodger, The End of Her Honeymoon, Studies in Love and in Terror, What Timmy Did, The Uttermost Farthing, Jane Oglander and Studies in Wives. Her fiction often draws on hidden fears within ordinary domestic settings; her restrained, deliberate prose builds tension layer by layer and reveals her characters' inner suspicion and unease. The Lodger is her best-known work and has been adapted for film and television several times, leaving a mark on later suspense narrative. Public information on her early education and private life is limited, so no conjecture is offered here.