The Second Voice
Tags
Summary
Editor's review
Who it's for
A good fit for
- Casual readers looking for a short English story they can finish in one sitting
- Learners practicing close reading in English, with attention to narrative perspective and dialogue
- Readers who enjoy psychological suspense and tension in relationships rather than long development
- Book clubs needing a short English selection that is easy to discuss in one session
Not a good fit for
- Readers who prefer long, complex world-building and multi-stranded narratives
- Beginners who need extensive background notes or a systematic literary guide
- Readers expecting clear genre labels and strong action sequences
Reading tips
- Read through once without stopping, note the passages that make you most uneasy or puzzled, then return to them.
- On a second reading, focus on dialogue and narrative perspective, marking where information is delayed or hidden.
- Retell the story in three to five sentences afterward, then check against the original to see which hints you missed.
- If using it for a book club, prepare two open questions in advance about the meaning of "the second voice."
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
FAQ
About how long does it take to read this story?
How difficult is the English, and is it suitable for learning English?
Do I need to know the author's background before reading?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Mann Rubin (1927–2013) was an American screenwriter and playwright whose work spanned film, television, and the stage. Public information about his life is limited, and the specific details of his early years and career are difficult to trace; what can be confirmed is that he worked steadily across several fields of writing for the screen and stage, leaving behind works in a variety of genres. The Second Voice, held in this collection, is one of the representative works through which his writing can be understood. Judging from this work and his broader background, Rubin's writing tends to center on characters' circumstances and the unfolding of plot, with attention to narrative pacing and the tension of dialogue, reflecting a craft oriented toward a general audience. His experience in film, television, and stage writing allowed him to adapt to the different narrative demands of each medium. Though his output was not large, his work offers a noteworthy case for the study of popular screenwriting and playwriting in twentieth-century America.