The Operatic Problem
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers studying opera history or the social history of music who need primary period documents
- Those studying performing arts management who want to learn about early issues in opera house management
- General readers with reasonable English reading ability and an interest in classical music culture
- Writers and teachers in need of source material on British musical life in the early twentieth century
Not a good fit for
- Professionals seeking practical methodology for the contemporary opera industry
- Beginning readers who have difficulty reading English and need a Chinese translation
- Readers expecting systematic music theory or score analysis
Reading tips
- Begin with the table of contents and preface to grasp the framework of the author's discussion, then select chapters relevant to your own research for close reading.
- Note down the theatres, works, and figures mentioned as you read, so they can be checked against music history sources.
- Read alongside background material on British musical life from the late nineteenth to the early twentieth century to reduce the sense of historical distance.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
FAQ
Is this book a novel or a scholarly treatise?
Can I understand it without a background in music?
Why is this book worth reading now?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
William Johnson Galloway (1866–1931) was a British politician and writer who served as a Member of the House of Commons and wrote political commentary. One work by him is held in this collection, The Operatic Problem. Because public information is limited, details of his life are difficult to set out, and the available introduction rests mainly on his political role and his writings. Judging from its title, The Operatic Problem addresses practical issues facing opera, indicating the author's interest in musical and theatrical affairs, a subject somewhat different from conventional political writing. The collection classifies the work under inspirational and personal growth, perhaps because of its problem-oriented, reform-minded approach. Overall, Galloway's writing combines political commentary with discussion of social issues; though his output is small, it offers a concrete example for observing social and cultural debate in Britain at the time.
