The Lost Door
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Summary
Editor's review
Who it's for
A good fit for
- Readers interested in American popular and genre fiction of the first half of the twentieth century
- Exploratory readers who want to expand their reading of public-domain e-books and are willing to judge a work's value for themselves
- Literary enthusiasts interested in early women authors and in tracing the contours of popular literature
Not a good fit for
- Cautious readers who need a clear plot summary or modern introduction before starting
- Readers who only want classics and lack patience for obscure public-domain novels
- Learners who find English difficult and rely on Chinese translations
Reading tips
- Read the first two or three chapters to gauge the narrative pace and genre tendencies before deciding whether to read it through.
- Record character relationships and suspense clues as you read, so you can organize the work yourself in the absence of an introduction.
- Read it alongside short stories and novellas by other American women authors of the same period to observe differences in subject matter and technique.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Dorothy Quick (1896–1962) was an American writer. Public information about her is limited, and her name is chiefly associated with her acquaintance with Mark Twain in his later years: she met the author as a young girl, and this experience has served as a piece of evidence for later generations seeking to understand Twain's final years. She herself wrote fiction and reminiscences, and her representative work is The Lost Door. Judging from the surviving records, her writing spans both fiction and non-fiction—the former displaying narrative imagination, the latter recording, from a firsthand perspective, her dealings with an older literary figure, and thus possessing some documentary value. Because few of her works survive and little research exists on her, her literary standing has yet to be fully discussed, and her writing style and broader influence remain to be further examined.