The Gamester
Tags
Summary
Editor's review
Who it's for
A good fit for
- Scholarly readers studying eighteenth-century British drama and sentimental literature
- Literature enthusiasts interested in the British moral drama tradition and the theme of gambling
- Advanced English majors or graduate students using it as a primary text
- Instructors of theater history seeking public-domain teaching texts
Not a good fit for
- General readers seeking a modern Chinese translation or light entertainment
- Beginners with weak English who are unfamiliar with eighteenth-century English usage
- Theater practitioners expecting full staging notes or a detailed annotated edition
Reading tips
- Begin with the basic features of eighteenth-century British sentimental comedy before entering the play itself
- Mark shifts in characters' attitudes toward gambling as you read, tracing the narrative line of moral exhortation
- Consult social histories of eighteenth-century Britain to understand what gambling meant in its time
- Pause after Act III to review the main characters' motives and conflicts before continuing
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Edward Moore (1712–1757) was an English playwright, best known for his tragedy The Gamester and also the author of Moores Fables for the Female Sex. Public information about his life is limited, and existing records center mainly on his dramatic and fable writings. The Gamester deals with the domestic tragedy brought about by gambling; concentrated in plot and intense in feeling, it had a certain influence on the eighteenth-century English stage and is often regarded as his representative work. His fables, addressed to female readers, convey advice and moral meaning through story, in plain language with clear lessons. On the whole, Moore's writing combines stage performance with moral instruction, addressing themes close to the concerns of readers of his time and tending toward a style poised between sentiment and didacticism. His output was small—two works are held in this collection—yet The Gamester alone has earned him a place in the history of eighteenth-century English drama.