Sweet Hours
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Summary
Editor's review
Who it's for
A good fit for
- Literary readers interested in late nineteenth-century European women writers
- Those seeking short, light reading for fragmented time
- Digital humanities enthusiasts studying Project Gutenberg public-domain ebooks
- Readers who enjoy a lyrical, introspective prose style
Not a good fit for
- General fiction readers seeking strong plot and fast pacing
- Scholars needing systematic literary-historical context or detailed annotation
- Readers who do not read English originals and rely on translations
Reading tips
- Read through once to sense the overall tone; do not puzzle over every rare word.
- Pair it with background on late nineteenth-century Europe to understand the author's identity and context.
- Read one short section at a time, as light bedtime or commute reading.
- For research, consult the author's biography and the Gutenberg edition's metadata alongside the text.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Carmen Sylva is the pen name of Elisabeth, Queen of Romania, wife of Carol I. Born in Neuwied, Germany, in 1843, she died in Romania in 1916. She wrote in German, Romanian, French, and English, producing poetry, drama, fiction, and fairy tales. She was especially devoted to translating Romanian folk poetry for Western readers, bringing the legends and songs of the Carpathian region to a wider audience. Her works often draw on Romanian landscapes and folk tales, with a romantic narrative tone and an accessible, translated quality. During the War of Independence of 1877–1878 she nursed the wounded and was called the "Mother of the Wounded."