Without Love
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Summary
Editor's review
Who it's for
A good fit for
- Italian majors needing primary-source reading materials in 19th-century literature
- Literary researchers studying women's writing and marriage narratives
- Readers interested in 19th-century Italian social customs
- Teachers needing public-domain electronic texts for teaching or citation
Not a good fit for
- General readers who know no Italian and have no parallel translation
- Readers of genre fiction expecting tight, fast-paced plotting
Reading tips
- First understand the social background around Italian unification, then proceed to close reading.
- Pay attention to the narrative tone and character dialogue in the original Italian to appreciate the period's language style.
- Read alongside contemporary European women's writing to observe similarities and differences in themes.
- Use the electronic edition's search function to mark passages on marriage and emotion for easier note-taking.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Marchesa Colombi, the pen name of Maria Antonietta Torriani, was an Italian woman writer and journalist. She was born in Novara on January 1, 1840, and died in 1920. In 1875 she married Eugenio Torelli Viollier, a founder of the newspaper Corriere della Sera. Her writing focuses on the condition of women and the hardships of women workers, with a delicate and restrained touch. Four of her works are held in this collection, including Tempesta e bonaccia: Romanzo senza eroi, Senz'Amore, La cartella N. 4 and Cara Speranza; her other representative works include In risaia and Un matrimonio in provincia. After her death she was forgotten for a time and was rediscovered from the 1970s onward. Public information is limited, and many details of her life remain uncertain; researchers chiefly use her works to examine the lives and writing of Italian women in the nineteenth century.