Sandra Belloni — Complete
Tags
Summary
Editor's review
Who it's for
A good fit for
- English literature students who need to study Victorian novel texts
- Literary enthusiasts with some English proficiency who want to read Meredith's works systematically
- Comparative literature researchers interested in portrayals of women and the writing of social identity
- English learners who wish to improve close-reading skills through a long original work
Not a good fit for
- Beginner readers with limited English reading ability who need a Chinese counterpart
- Readers who prefer fast-paced plots and are unaccustomed to long sentences and psychological description
- People who only want a plot summary and are unwilling to invest long reading time
Reading tips
- Read the opening chapters first, and proceed after adjusting to Meredith's sentence structures and narrative rhythm
- Prepare a character relationship chart and note major characters' positions and emotional changes as you read
- Combine with background materials on Victorian society to understand issues of class and gender in the novel
- Use the electronic edition's search function to revisit key dialogues and do thematic close reading
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- 59
- 60
- 61
- 62
- 63
- 64
- 65
- 66
- 67
- 68
- 69
- 70
- 71
- 72
- 73
- 74
- 75
- 76
- 77
- 78
- 79
- 80
- 81
- 82
- 83
- 84
- 85
- 86
- 87
- 88
- 89
- 90
- 91
- 92
- 93
- 94
- 95
- 96
- 97
- 98
- 99
- 100
- 101
- 102
- 103
- 104
FAQ
What is the relationship between this book and Volume 6?
What English level is needed to read this book?
Is the electronic edition suitable for academic citation?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
George Meredith (1828–1909) was a nineteenth-century British novelist and poet, whose works are represented here by as many as 111 titles, indicating that his writing has continued to circulate among readers and researchers. His representative work, The Ordeal of Richard Feverel, centers on a father-son relationship and examines the conflicts of pride and emotion in a young man's growth; The Egoist, subtitled “A Comedy in Narrative,” uses marriage and social situations to portray character weaknesses and self-reflection. His novels are often marked by witty dialogue, psychological insight, and an ironic tone, with plot and character relationships unfolding layer by layer. Public information is limited, and biographical details remain to be supplemented, but the existing bibliography shows that narrative novels and multi-volume series form the main body of his work, reflecting the Victorian novel's detailed exploration of individual morality and emotional life.
