Reynolds
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in British painting history who want to know Reynolds
- Art history or English majors needing English-language art biography material
- Readers who enjoy short critical biographies and are used to e-book reading
Not a good fit for
- Readers seeking systematic textbooks or detailed chronological biographies
- Beginners unused to English originals who want only a Chinese translation
Reading tips
- Look at representative Reynolds paintings first, then read the biographical text; comparing image and text aids understanding
- Proceed chapter by chapter, noting one or two core judgments after each section for review
- Read alongside contemporary British art-historical works to observe differences in evaluative perspective
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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- 6
FAQ
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About the author
Samuel Levy Bensusan (1872–1958) was a British writer, art historian and chronicler of rural life, born in Deptford, London. He worked early on as a music and drama critic, and later contributed painter biographies to the "Masterpieces in Colour" series, covering artists such as Velázquez, Rubens and Murillo. In clear, concise prose he sketched each painter's life and artistic character, bringing Western painting to general readers. His interests also ranged to distant places and literary landmarks, yielding books on Morocco and on Shakespeare's homes and haunts. In later years he settled in Essex, where he devoted himself to writing about country life and dialect in a plain, gentle style. Twelve of his works are held in this collection, some classified under inspirational growth.
