Returning Home
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Summary
Editor's review
Who it's for
A good fit for
- English readers seeking an initial sense of Trollope's narrative style
- Teachers needing teaching materials for Victorian short fiction
- Readers who enjoy English public-domain short stories in fragmented time
- Researchers studying nineteenth-century English literature and family themes
Not a good fit for
- Readers who want a Chinese translation and are not comfortable with the English original
- Lovers of full-length novels with long plots and complex subplots
Reading tips
- Read through once to grasp the plot, then revisit the wording of dialogue and psychological description.
- Read alongside other Trollope short stories to observe his repeated treatment of family themes.
- Note spatial and identity details in the homecoming scenes while reading, to facilitate classroom or book-club discussion.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Anthony Trollope (1815–1882) was a prolific English novelist of the Victorian era, with 83 works held in this collection. He is best known for the Barsetshire novels, including The Last Chronicle of Barset, Barchester Towers, and Framley Parsonage, which are set in a fictional English county and portray the daily life, social manners, and power struggles of the clergy and gentry. Other major works, such as The Way We Live Now, The Prime Minister, Orley Farm, and Can You Forgive Her?, turn to politics, business, and marriage, revealing with careful restraint and gentle irony the tension between social convention and personal ambition. Public information is limited, yet his plain narrative style, large casts of clearly drawn characters, and depiction of Victorian social structure retain lasting value for readers.