Rembrandt cover

Rembrandt

Rating 3.0
Word count
107K words
Chapters
11

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Rembrandt by Estelle M. HurllAuthor: Hurll, Estelle M. (Estelle May), 1863-1924,Language: English, Class: ND: Fine Arts: Painting, Release Date: Oct 22, 2006

Editor's review

This is a monograph on Rembrandt written in English by Estelle M. Hurll (1863–1924), available from Project Gutenberg and classified under painting. Hurll wrote extensively to popularize art for general readers rather than specialists; the book aims to help readers understand the artistic qualities and spirit of Rembrandt's work and, through the works, to trace the painter's development and creative character. Its strengths are plain language and clear organization, which lower the barrier to looking at paintings, making it a useful introductory aid to appreciating Western art; the short structure also makes it easy to dip into. Its limitations are equally clear: it was written long ago, art-historical research has advanced considerably since, and some judgments and attributions should be checked against current scholarship. It is not a picture album, so plates must be found elsewhere; readers should consult high-quality images alongside the text.

Who it's for

A good fit for

  • Readers new to Western art who want an introduction to Rembrandt's life and artistic qualities
  • English learners seeking accessible art writing for reading practice
  • Art lovers willing to look at images alongside the text
  • Organizers of reading groups looking for public-domain art-history texts

Not a good fit for

  • Specialist researchers who need the latest scholarship and attribution studies
  • Readers who expect high-resolution plates and the experience of a printed picture album
  • Readers impatient with the standpoint and style of early art writing
  • Those who only want a quick chronology of the painter's life without extended commentary

Reading tips

  1. Before reading, prepare images of Rembrandt's major works and pause to compare them with the relevant passages.
  2. Read the chapters in order and, at the end of each, summarize the artistic qualities the author emphasizes in two or three sentences.
  3. Note evaluative judgments and compare them with modern art-historical views, marking possible period limitations.
  4. You might begin with passages on famous works such as The Night Watch, then read the whole book once your interest is engaged.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11

FAQ

Is this book a picture album? Does it include illustrations?
It is a plain-text ebook from Project Gutenberg, consisting mainly of discussion in words, and it cannot replace a picture album. Readers are advised to prepare high-resolution images of Rembrandt's works and look at them while reading. The text can guide looking, but color, brushwork, and sense of scale can only be grasped through images.
What are the author's standpoint and period limitations?
Hurll was active in the late nineteenth and early twentieth centuries; she wrote for a popular audience in an appreciative and guiding tone, and the book predates the maturity of modern art-historical methods. Its judgments on attribution, dating, and stylistic development may differ from contemporary research. Readers should treat it as a period-marked introduction, not a final conclusion.
How difficult is the English, and what level is it suitable for?
As popular art writing for general readers, the sentences are relatively plain and technical terms are not dense; an intermediate level of English reading ability should suffice. When encountering painting terms and proper names, you may pass over them first and focus on the author's overall commentary on the works. If you are reading to learn English, try retelling the main points after each chapter.
What can readers gain from this book?
It gives a basic sense of Rembrandt's creative character: the people he focused on, his handling of light and shadow, and his way of expressing emotion, along with the author's overall assessment of his artistic standing. It works best as a guide to appreciation, helping readers approach paintings with questions; for deeper study, modern art-historical works and catalogues are needed.

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About the author

Estelle May Hurll Author · American · 1863–1924

Estelle M. Hurll (1863–1924) was an American writer on art, born in New Bedford, Massachusetts. She graduated from Wellesley College, where she later taught ethics. She then turned to writing about art for a general readership, producing a series of accessible guides to appreciation that discussed artists such as Michelangelo, Raphael, Correggio, Reynolds and Jean-François Millet, and also treated Greek sculpture, child life in art and the Madonna in art. Thirteen of her works are held in this collection, mostly classed under inspirational and personal growth. Her plain, approachable style encourages readers to understand both the form and the feeling of works of art, and her books played a modest part in early twentieth-century American art education.

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