Porcelain cover

Porcelain

Rating 2.8
Word count
835K words
Chapters
84

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Porcelain by Edward DillonAuthor: Dillon, Edward, -1914,Language: English, Class: NK: Fine Arts: Decorative and Applied Arts, Decoration and Ornament, Release Date: Jul 15, 2017

Editor's review

This book is Edward Dillon's monograph on the art of porcelain, belonging to the field of decorative and applied arts. Viewing porcelain through both connoisseurship and the history of craft, the author traces its forms, ornamentation, and making traditions, in prose that is both informative and aesthetically engaging, suited to readers interested in the history of Western decorative art and in collecting and connoisseurship. As a public-domain e-book from Project Gutenberg, it preserves late nineteenth- to early twentieth-century art writing in its original form, with a rather classical style and a dense specialist vocabulary. Reading it offers both a systematic understanding of the porcelain category and a sense of how scholars of that era looked at and described the beauty of craft, and it is also of reference value for studying the evolution of decorative-art literature.

Who it's for

A good fit for

  • General readers interested in Western decorative and applied art history
  • Professionals in ceramic connoisseurship, collecting, or museum work
  • Scholars and graduate students studying late nineteenth-century art writing and literature
  • Advanced readers seeking to expand their reading of original English-language art books

Not a good fit for

  • Readers expecting modern catalogue-style color plates and high-resolution photographs of objects
  • Collectors seeking quick identification tips and market prices for porcelain
  • Beginners with limited English who want only accessible introductory works

Reading tips

  1. Read the table of contents first to grasp the chapter structure, then intensively read selected chapters by object category
  2. Keep a dictionary of art terms at hand to look up proper names and craft terminology
  3. Read alongside museum collections or catalogues to deepen understanding of forms and ornamentation
  4. If consulting for research only, focus on the introduction and conclusion to grasp the author's views

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74
  75. 75
  76. 76
  77. 77
  78. 78
  79. 79
  80. 80
  81. 81
  82. 82
  83. 83
  84. 84

FAQ

Is this book in Chinese or English? Is it hard to read?
This is an original English-language e-book released by Project Gutenberg. The style is rather classical and there is much decorative-arts terminology; readers with university-level English and familiarity with art topics will find it smoother, while beginners are advised to read with a dictionary and introductory materials.
Does the book include porcelain images or plates?
Judging from the public-domain e-book materials, the book is mainly textual exposition, with no rich modern color plates. For visual reference, it is best used together with museum collection catalogues or professional ceramic albums.
Is this book suitable as an introduction to porcelain identification?
Not really. The book focuses on art history and craft traditions rather than being an identification manual; it contains no market prices or authentication pointers. For identification, choose a dedicated work on the subject.
What should I note when using the public-domain e-book edition?
Public-domain e-books are freely available, but typesetting and proofreading quality varies by edition, and some places may contain scanning errors or formatting issues. When in doubt, verify against other editions or authoritative sources.

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About the author

Dillon, Edward, -1914 Author · British

Dillon, Edward (unknown–1914) was a British writer on art. Details of his life are very limited in publicly available sources, and neither his year of birth nor his early years have been reliably recorded. What can be confirmed is that he wrote works on glassmaking and painting, and two of his works are held in this collection, dealing respectively with glass and porcelain. Judging from the available bibliographic information, his writing centres on decorative arts and craft techniques, with attention to materials, production processes and artistic expression, addressed to readers interested in the arts and crafts. Such subjects were fairly representative of British craft writing in the late nineteenth and early twentieth centuries. Owing to the limited sources, his specific career, editions of his works and later influence remain to be further examined, yet these two works suffice to show his interest in writing on glass and ceramic crafts.

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