Tags
Summary
Editor's review
Who it's for
A good fit for
- Scholars and students studying modern American drama and women's writing
- Theatre specialists and little-theatre practitioners
- Literary scholars needing primary English play texts
- Advanced readers interested in early twentieth-century American social issues
Not a good fit for
- General readers who prefer coherent plots and complete narratives in fiction
- Beginners unfamiliar with play format and lacking the habit of imagining the stage
- Readers seeking a Chinese translation
- Readers expecting lengthy argumentation or theoretical analysis
Reading tips
- Read one short play through first, noting stage directions and character tone, then expand to other pieces.
- Try reading aloud by role or mentally envisioning stage blocking while reading; the tension of the plays becomes more apparent.
- Read in conjunction with the background of the little-theatre movement of the author's time to understand the social issues addressed.
- After reading, note the core conflicts and character relationships of each play for cross-comparison of themes.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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Comments
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About the author
Susan Glaspell (1876–1948) was an American playwright, novelist, and journalist, a co-founder of the Provincetown Players and a pioneer of modern American women's theater. She is known for the one-act play Trifles and the short story A Jury of Her Peers, adapted from it, and in 1931 won the Pulitzer Prize for Drama for her play Alison's House. Her work spans plays and novels, including the stories collected in Lifted Masks and the novels The Visioning, Fidelity, and The Glory of the Conquered, as well as several plays. Her writing focuses largely on women's circumstances and social issues, with a delicate touch and a gift for revealing character and situation through everyday detail. Public information on her life is limited; her birth year, long recorded as 1882, has been corrected by modern scholarship to 1876.