Playing With Fire
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy nineteenth-century English fiction and regional description
- Literary fans interested in city life and ordinary citizens' struggles
- Readers studying Barr's work or Scottish urban writing
- Readers who accept the pace of older fiction and prefer ensemble characters
Not a good fit for
- Readers who prefer fast-paced contemporary fiction with strong plots
- Readers impatient with nineteenth-century narrative language and pacing
- Readers seeking explicit historical documentation or a city guide
Reading tips
- At the start, note the description of the city's character and civic motto as a key to understanding characters' motives.
- Track character relationships and changing circumstances chapter by chapter to avoid confusion with the large cast.
- After finishing, revisit the opening city description to see how environment runs through and heightens the characters' fates.
Contents
- Copyright information
- CHAPTER I THE MINISTER'S FAMILY
- CHAPTER IILORD RICHARD CRAMER
- CHAPTER IIIDONALD PLEASES HIS FATHER
- CHAPTER IVTHE GREAT TEMPTATION
- CHAPTER VTHE MINISTER IN LOVE
- CHAPTER VIDONALD TAKES HIS OWN WAY
- CHAPTER VIIMARION DECIDES
- CHAPTER VIIIMACRAE LEARNS A HARD LESSON
- CHAPTER IXWHEN WILL THE NIGHT BE PAST?
- CHAPTER XA DREAM
- CHAPTER XILOVE IS THE FULFILLING OF THE LAW
- CHAPTER XIIAFTERWARD
FAQ
Where is the book set, and what is the atmosphere like?
What themes does Barr focus on in this book?
Do I need prior knowledge of Scottish history to read this book?
Comments
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About the author
Amelia Edith Huddleston Barr (1831–1919) was born in Ormskirt, Lancashire, England, and later moved to the United States, settling in New York. She is known for her historical romances, including The Wife of Jane Vede and Remember the Alamo, as well as Playing With Fire and I, Thou, and the Other One: A Love Story, both represented in this collection. Over her lifetime she wrote more than eighty novels along with numerous essays and poems, and was a widely popular woman novelist in the late nineteenth and early twentieth centuries. Her works often weave emotional entanglements with historical settings, unfolding with delicate plotting and gripping turns of fate. Because public information is limited, her early education and specific writing career cannot be described in detail, yet her diligence and influence in popular fiction remain a valuable sample for later studies of women's writing in this period.