Perugino
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Italian Renaissance painting who want an introduction
- Learners with basic English reading ability who want to try English art monographs
- Art teachers and students who need free public-domain art literature as supplementary classroom material
- Readers who like short topical booklets and want to gain a basic understanding of a painter in a short time
Not a good fit for
- Readers expecting high-resolution plates and a detailed catalogue of works
- Art historians who need the latest scholarship and rigorous documentation
- Readers who find English difficult and want to read Chinese popular art books directly
Reading tips
- Before reading, look up images of Perugino's representative paintings and compare them while reading.
- Go through the chapters and take brief notes on the author's evaluations of the painter's life and works.
- After finishing, compare with materials on other Renaissance painters to form a more complete understanding.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
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About the author
Selwyn Brinton (1859–1940) was a British writer active in the late nineteenth and early twentieth centuries. Public information about him is limited, and details of his life, education and career are difficult to verify; only two of his works are held in this collection. Judging from these two books, his interests centred on European art history and British social and cultural history: Perugino discusses the Italian Renaissance painter Perugino, while The Eighteenth Century in English Caricature examines the development of English caricature in the eighteenth century. Both are informative works written for general readers and show a sustained engagement with art history and visual culture. Owing to the scarcity of materials, the broader influence and scholarly reception of his works remain to be further examined.